Hugo Award Finalists, 2013 – First Impressions

As always, the finalists for the Hugo Awards and John W. Campbell Award for Best New Writer are an interesting lot with a few surprises and a number of disappointments. The 1343 valid nominating ballots represent a record number, more than 20% above last year’s previous record. The winners will be announced Sunday, September 1, 2013, during the Hugo Awards Ceremony at LoneStarCon 3 in San Antonio, Texas.

As usual, I am looking forward to my yearly journey through the contemporary science fiction world, even if the Hugo Award itself is becoming more of a popularity contest among fan personalities than ever before. Here are my initial thoughts about the nominees.

Best Novel (1113 ballots)

2312 by Kim Stanley Robinson (Orbit)
Blackout by Mira Grant (Orbit)
Captain Vorpatril’s Alliance by Lois McMaster Bujold (Baen)
Redshirts: A Novel with Three Codas by John Scalzi (Tor)
Throne of the Crescent Moon by Saladin Ahmed (DAW)

2312 appeared on almost every best-of list and should be the odds-on favorite to win. Saladin Ahmed’s first novel, Throne of the Crescent Moon, also received widespread accolades. John Scalzi’s Redshirts received some praise, but my guess, not having read it yet, is that readers liked its lighthearted premise of what it’s like to be a Star Trek crewmember more than its actual literary merits. Scalzi is also a popular fan personality, which helps his visibility. Lois McMaster Bujold is another fan favorite, having been nominated many, many times. My opinion is that her books are solid mid-list action-adventure tales, but mostly just comfort food for fans who relate well to her protagonist who overcomes major physical disabilities to become a badass soldier and politician. Blackout, by Seanan McGuire writing as Mira Grant, was on zero best-of lists and no other award short lists (at least, that I saw). But McGuire is a hugely popular blogger and podcaster whose celebrity within the fan community gives her a disproportionate advantage. The more of McGuire’s work I read, the less impressed I am. This is all the more disappointing because well-reviewed books such as Intrusion by Ken MacLeod, Jack Glass by Adam Roberts, The Killing Moon by N. K. Jemisin, The Drowning Girl by Caitlín R. Kiernan, and Glamour in Glass by Mary Robinette Kowal, among others, were ignored.

Best Novella (587 ballots)

After the Fall, Before the Fall, During the Fall by Nancy Kress (Tachyon Publications)
The Emperor’s Soul by Brandon Sanderson (Tachyon Publications)
On a Red Station, Drifting by Aliette de Bodard (Immersion Press)
San Diego 2014: The Last Stand of the California Browncoats by Mira Grant (Orbit)
“The Stars Do Not Lie” by Jay Lake (Asimov’s, Oct-Nov 2012)

After the Fall, Before the Fall, During the Fall; On a Red Station, Drifting; and “The Stars Do Not Lie” were all well reviewed and all are on the Nebula ballot. Neither The Emperor’s Soul nor San Diego 2014: The Last Stand of the California Browncoats appeared on any best-of or award lists that I saw. Here again, Sanderson’s and Grant’s fan popularity rather than the merits of their stories likely put them on the final ballot. The title of Grant’s story indicates it may be little more than fan fiction related to Joss Whedon’s hugely popular SF franchise, Firefly.

Best Novelette (616 ballots)

“The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
“Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
“The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
“In Sea-Salt Tears” by Seanan McGuire (Self-published)
“Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)

The love-fest for Seanan McGuire continues, incredulously including a self-published story. I’m not familiar with the other novelettes, so I am hoping that they will be decent. Certainly, Valente and Cadigan have produced top-notch work in the past.

Best Short Story (662 ballots)

“Immersion” by Aliette de Bodard (Clarkesworld, June 2012)
“Mantis Wives” by Kij Johnson (Clarkesworld, August 2012)
“Mono no Aware” by Ken Liu (The Future is Japanese, VIZ Media LLC)

All these stories undoubtedly deserve to be on the ballot. The sad news is that there are only three nominees because no other works received the minimum 5% of the votes required by the World Science Fiction Society constitution. I suspect this is due to a large number of good short stories that spread votes wide and thin.

Best Related Work (584 ballots)

The Cambridge Companion to Fantasy Literature Edited by Edward James & Farah Mendlesohn (Cambridge UP)
Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them Edited by Lynne M. Thomas & Sigrid Ellis (Mad Norwegian Press)
Chicks Unravel Time: Women Journey Through Every Season of Doctor Who Edited by Deborah Stanish & L.M. Myles (Mad Norwegian Press)
I Have an Idea for a Book… The Bibliography of Martin H. Greenberg Compiled by Martin H. Greenberg, edited by John Helfers (The Battered Silicon Dispatch Box)
Writing Excuses Season Seven by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler and Jordan Sanderson

This is a hard category to say much about. The variety of potential works is vast, so almost anything can appear. Farah Mendlesohn has produced a number of well received scholarly works in the past few years, so I expect The Cambridge Companion to Fantasy Literatures deserves its place on the final ballot. Previous volumes of Writing Excuses were pretty informative, so I’m not surprised to see it nominated again. I have no idea what Chicks Dig Comics or Chicks Unravel Time are, but from the titles they must be part of a female-centric critical series. Martin H. Greenberg’s book sounds like little more than a list, so I’m not sure what value it has, other than to honor one of the great anthologists of all time. I’m a little surprised there are no art books on the final ballot.

Best Graphic Story (427 ballots)

Grandville Bête Noire written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
Locke & Key Volume 5: Clockworks written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
Saga, Volume One written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
Schlock Mercenary: Random Access Memorabilia by Howard Tayler, colors by Travis Walton (Hypernode Media)
Saucer Country, Volume 1: Run written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)

I’m actually pleasantly surprised by how good the selections are for this category, with the exception of Schlock Mercenary, a lightweight gag comic. It is a travesty that it is on the list and Batman: The Court of Owls is not. The voters have no trouble putting superhero stories in the Dramatic Presentation category, but for some reason resist them in their natural home, the Graphic Story category.

Best Dramatic Presentation (Long Form) (787 ballots)

The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
The Cabin in the Woods Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
The Hobbit: An Unexpected Journey Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
The Hunger Games Screenplay by Gary Ross & Suzanne Collins, Directed by Gary Ross (Lionsgate, Color Force)
Looper Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

There are no surprises here, other than not seeing Game of Thrones, Season 2.

Best Dramatic Presentation (Short Form) (597 ballots)

Doctor Who:“The Angels Take Manhattan” Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
Doctor Who:“Asylum of the Daleks” Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
Doctor Who:“The Snowmen” Written by Steven Moffat, Directed by Saul Metzstein (BBC Wales)
Fringe:“Letters of Transit” Written by J.J. Abrams, Alex Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
Game of Thrones:“Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

As I predicted, there are the usual three episodes of Doctor Who and two other sacrificial lambs. My only question is why a single episode of Game of Thrones is nominated. As established last year, Game of Thrones should be considered as one ten-part presentation. Nominating a single episode is like nominating a single chapter from a book. In any case, it doesn’t matter, since it’s a foregone conclusion that Doctor Who will win.

Best Editor – Short Form (526 ballots)

John Joseph Adams
Neil Clarke
Stanley Schmidt
Jonathan Strahan
Sheila Williams

The usual suspects are nominated once again. My hope is that the retiring Stanley Schmidt will finally receive his due.

Best Editor – Long Form (408 ballots)

Lou Anders
Sheila Gilbert
Liz Gorinsky
Patrick Nielsen Hayden
Toni Weisskopf

This is a category that very few people are really interested in. I certainly am not.

Best Professional Artist (519 ballots)

Vincent Chong
Julie Dillon
Dan Dos Santos
Chris McGrath
John Picacio

A mixture of some old favorites along with some new faces. There are so many good professional artists that it is hard to pick a slate of nominees without offending some really deserving candidates. And picking a clear winner is nearly impossible.

Best Semiprozine (404 ballots)

Apex Magazine edited by Lynne M. Thomas, Jason Sizemore and Michael Damian Thomas
Beneath Ceaseless Skies edited by Scott H. Andrews
Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker
Lightspeed edited by John Joseph Adams and Stefan Rudnicki
Strange Horizons edited by Niall Harrison, Jed Hartman, Brit Mandelo, An Owomoyela, Julia Rios, Abigail Nussbaum, Sonya Taaffe, Dave Nagdeman and Rebecca Cross

It baffles me why this category should exist at all. Either you’re a professional magazine or you’re not. This wishy-washy half-measure should be abolished. For example, Clarkesworld published three Hugo nominees this year compared to one for Asimov’s and zero for Analog and F&SF. If that’s not a professional magazine, I don’t know what is.

Best Fanzine (370 ballots)

Banana Wings edited by Claire Brialey and Mark Plummer
The Drink Tank edited by Chris Garcia and James Bacon
Elitist Book Reviews edited by Steven Diamond
Journey Planet edited by James Bacon, Chris Garcia, Emma J. King, Helen J. Montgomery and Pete Young
SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester

The Hugo voters inexplicably changed the eligibility rules this year to exclude virtually all online fanzines. Why supposedly forward-looking science fiction fans chose to regress to only printed periodicals is a mystery.

Best Fancast (346 ballots)

The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
SF Signal Podcast, Patrick Hester, John DeNardo, and JP Frantz
SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer)
StarShipSofa, Tony C. Smith

Although the Hugo voters have excluded online fanzines, they have embraced podcasts. However, the same titles appear year after year, and frankly, I have not been impressed with any of them. Episodes of news and opinion shows are almost always too long and often lack organization. StarShipSofa’s selection of audio stories is underwhelming. I’m still looking for a SF podcast with value-added information that’s worth my time. I suspect others feel the same way, since this category had the second-lowest number of nominating ballots.

Best Fan Writer (485 ballots)

James Bacon
Christopher J Garcia
Mark Oshiro
Tansy Rayner Roberts
Steven H Silver

Mostly the same names we see every year in the mutual-admiration society known as fandom.

Best Fan Artist (293 ballots)

Galen Dara
Brad W. Foster
Spring Schoenhuth
Maurine Starkey
Steve Stiles

Here’s another list of mostly familiar names. At least professional artist Randall Munroe did not make the final ballot this year.

John W. Campbell Award for Best New Writer (476 ballots)

Award for the best new professional science fiction or fantasy writer of 2011 or 2012, sponsored by Dell Magazines (not a Hugo Award).

Zen Cho *
Max Gladstone
Mur Lafferty *
Stina Leicht *
Chuck Wendig *

* Finalists in their 2nd year of eligibility.

Mur Lafferty and Stina Leicht were both nominated last year, so I expect one of them will win this year. I am completely unfamiliar with the other three nominees.

For Your Consideration: Hugo Award Related Work

Episodes of Prophets of Science Fiction produced and hosted by Ridley Scott and broadcast on the Science Channel are well worth considering. This documentary series looked at the lives and predictions of notable science fiction creators. In 2012, there were good episodes about Robert Heinlein, Jules Verne, and Isaac Asimov.

Another suggestion is The Annotated Sandman, Vol. 1 by Leslie S. Klinger (Vertigo), a scholarly look at Neil Gaiman’s classic comic book series.

For Your Consideration: Hugo Award Graphic Story

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

One of the troubles with the Graphic Story category is that much of what’s published is in a highly serialized form, with storylines sometimes extending over more than a year. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes often don’t represent entire, self-contained stories.

In my opinion, the graphic story category remains the strongest overall category on the Hugo ballot. Choosing five nominees is an almost impossible task because there are so many good choices to pick from. Yet, the Hugo voters consistently nominate the same fanish works year after year. Come on, folks, there is more than Girl Genius and Schlock Mercenary. Much more.

The comics world is producing more top-notch work than in any other Hugo category, yet only seven works made the 5% cutoff last year (nine, if you count two works with 4.94% each). The number of graphic stories that are published is staggering, so I challenge the Hugo voters to think carefully about your choices and to not just fill in your ballots with last year’s nominees because you can’t think of anything else. Don’t be afraid to nominate superhero stories; these are some of the most exciting and relevant science fiction tales being published.

For your consideration:

• The Abominable Charles Christopher, Karl Kerschl (http://karlkerschl.com)
• Adventure Time, Vol. 1, Ryan North, Shelli Paroline, Branden Lamb (BOOM! Studios)
• American Vampire, Vol. 4, Scott Snyder, Rafael Albuquerque (Vertigo)
• Aquaman, Vol. 1, Geoff Johns, Ivan Reis, Joe Prado (DC)
• Batman: Earth One, Geoff Johns, Gary Frank (DC)
• Batman: The Court of Owls, Scott Snyder, Greg Capullo (DC)
• The Battle of Blood and Ink: A Fable of the Flying City, Jared Axelrod, Steve Walker (Tor)
• Battlepug, Mike Norton (http://www.battlepug.com)
• Batwoman, Vol. 1, J.H. Williams III, W. Haden Blackman (DC)
• Chew, Vol. 6: Space Cakes, John Layman, Rob Guillory (Image)
• Cinderella: Fables are Forever, Chris Roberson, Shawn McManus (Vertigo)
• Daredevil, Vol. 1, Mark Waid, Chris Samnee (Marvel)
• Dial H, Vol. 1: Into You, China Miéville, Mateus Santolouco (DC)
• Earth 2, Vol. 1, James Robinson, Nicola Scott (DC)
• Fables, Vol. 17: Inherit the Wind, Bill Willingham, et al (Vertigo)
• Frankenstein Alive, Alive!, Steve Niles, Bernie Wrightson (IDW)
• Grandville Bete Noir, Bryan Talbot (Dark Horse)
• Hawkeye, Vol. 1, Matt Fraction, David Aja, Javier Pulido (Marvel)
• Irredeemable, Vol. 10, Mark Waid, Diego Barreto (BOOM! Studios)
• iZombie, Vol. 4: Repossessed, Chris Roberson, Mike Allred (DC)
• Justice League, Vol. 1, Geoff Johns, Jim Lee (DC)
• Lobster Johnson Vol. 2: The Burning Hand, Mike Mignola, John Arcudi, Scott Allie, Tonci Zonjic (Dark Horse)
• Locke & Key: Clockworks, Joe Hill, Gabriel Rodriguez (IDW)
• The Manhattan Projects, Vol. 1, Jonathan Hickman, Nick Pitavro (Image)
• Mind MGMT, Matt Kindt (Dark Horse)
• Naoki Urasawa’s 20th Century Boys, Vol. 22, Naoki Urasawa (VIZ Media)
• The New Deadwardians, Dan Abnett, I.N.J. Culbard (Vertigo)
• Peter Panzerfaust, Vol. 1: The Great Escape, Kurtis Wiebe, Tyler Jenkins (Image)
• Prophet, Vol. 1: Remission, SImon Roy, Farel Dalrymple, Giannis Milogiannis, Brandon Graham (Image)
• Punk Rock Jesus, Sean Murphy (Vertigo)
• Saga, Vol. 1, Brian K. Vaughn, Fiona Staples (Image)
• Sailor Twain: Or: The Mermaid in the Hudson, Mark Siegel (First Second)
• Saucer Country, Vol. 1: Run, Paul Cornell, Ryan Kelly (Vertigo)
• The Strange Talent of Luther Strode, Vol. 1, Tradd Moore, Justin Jordan (Image)
• Superman: Earth One, Vol. 2, J. Michael Straczynski, Shane Davis (DC)
• The Underwater Welder, Jeff Lemire (Top Shelf)
• The Unwritten, Volume 6: Tommy Taylor and the War of Words, Mike Carey, Peter Gross (Vertigo)
• The Walking Dead, Vol. 16: A Larger World, Robert Kirkman, Charlie Allard (Image)
• Wonder Woman, Vol. 1, Brian Azzarello, Tony Akins (DC)
• A Wrinkle in Time, adapted by Hope Larson (Farrar, Straus and Giroux)

For Your Consideration: Hugo Award Dramatic Presentation, Long Form

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

The dividing line between Dramatic Presentation, Short Form and Dramatic Presentation, Long Form is 90 minutes running time, but may be adjusted slightly one way or another if a majority of nominators place a borderline work in the other category. A multi-part production can be nominated in the Long Form category.

There is an overwhelming chance that Game of Thrones, Season 2 will be nominated, just as Season 1 was last year (my advice is to not waste your nomination votes for individual episodes of Game of Thrones in the Short Form category, as they will be disqualified). Beyond that, it seems to me that the field is pretty much wide open. I think The Avengers, Looper, The Hunger Games, The Cabin in the Woods, and The Hobbit are the most likely to be nominated. But there are a number of other worthy works.

For your consideration:

• The Amazing Spider-Man, Sony Pictures
• Beasts of the Southern Wild, Fox Searchlight Pictures
• Brave, Pixar Animation Studios
• The Cabin in the Woods, Lionsgate
• Chronicle, Twentieth Century Fox
• Cloud Atlas, Warner Bros. Pictures
• The Dark Knight Rises, Warner Bros. Pictures
• Frankenweenie, Walt Disney Studios
• Game of Thrones, Season 2, HBO
• The Hobbit: An Unexpected Journey, New Line Cinema
• Hotel Transylvania, Sony Pictures Animation
• The Hunger Games, Lionsgate
• Iron Sky, Entertainment One
• John Carter, Walt Disney Pictures
• Life of Pi, Twentieth Century Fox
• Looper, TriStar Pictures
• Marvel’s The Avengers, Marvel Studios
• Men in Black 3, Columbia Pictures
• ParaNorman, LAIKA/Focus Features
• The Pirates! Band of Misfits, Aardman Animations and Sony Pictures Animation
• Prometheus, Twentieth Century Fox
• The Rabbi’s Cat, GKIDS
• Rise of the Guardians, DreamWorks Animation
• Robot & Frank, Samuel Goldwyn Films
• Ruby Sparks, Fox Searchlight Pictures
• Safety Not Guaranteed, FilmDistrict
• The Secret World of Arrietty, Studio Ghibli
• Seeking a Friend for the End of the World, Focus Features
• Skyfall, Metro-Goldwyn-Mayer (MGM)
• Snow White and the Huntsman, Universal Pictures
• Ted, Universal Pictures
• The Woman in Black, CBS Films
• Wreck-It Ralph, Walt Disney Animation Studios

For Your Consideration: Hugo Award Dramatic Presentation, Short Form

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

It’s pretty much a given that at least three episodes of Doctor Who will be nominated, and that one of those will win. While Doctor Who is certainly an outstanding series, there are a multitude of other science fiction and fantasy TV shows, as well as a few theatrical shorts and Internet productions that are worthy of consideration.

A multi-part production such as Game of Thrones, Season 2 will undoubtedly be nominated in the Long Form category as Season 1 was last year. So my advice is to not waste your nomination votes in the Short Form category for individual episodes, as they will be disqualified.

For the Dramatic Presentation, Short Form category, I have compiled a list of productions that are eligible to be nominated this year. It is a long list, and undoubtedly not comprehensive. I’ve listed the titles of individual episodes because the Hugo rules require individual episodes to be nominated. The dividing line between Short Form and Long Form is 90 minutes running time, but may be adjusted slightly one way or another if a majority of nominators place a borderline work in the other category.

For your consideration:

• “Jake the Dog”, Adventure Time
• “Prehistoric Peril!”, The Adventures of the League of S.T.E.A.M.
• “Tommy Madsen”, Alcatraz
• “God’s Eye”, Alphas
• “I Am Anne Frank”, Parts 1 and 2, American Horror Story: Asylum
• “Space Race”, Parts 1 and 2, Archer
• “Betrayal”, Arrow
• “Secret Invasion”, The Avengers: Earth’s Mightiest Heroes
  
• “Say Hello to My Little Friend”, Awake
• “Blood & Chrome”, Battlestar Galactica
• “Bridesmaid Up!”, Beauty and the Beast
• “Trust”, Before Orel
• “The War Child”, Being Human
• “The Ultimate Enemy”, Parts 1 and 2, Ben 10: Ultimate Alien
• “Time Slime”, Bravest Warriors
• “The Final Frontier”, Castle
• “Digital Estate Planning”, Community
• “End Times”, Continuum
• Batman: The Dark Knight Returns, Part 1, DC Entertainment
• Justice League: Doom, DC Entertainment
• Superman vs. The Elite, DC Entertainment
• “The Angels Take Manhattan”, Doctor Who
• “When Lightning Strikes”, Dragons: Riders of Berk
• “Just Another Day”, Eureka
• “A More Perfect Union”, Falling Skies
• “Yug Ylimaf”, Family Guy
• “Letters of Transit”, Fringe
• “The Bots and the Bees”, Futurama
• Maggie Simpson in “The Longest Daycare”, Gracie Films
• “Homecoming”, Green Lantern: The Animated Series
• “Season of the Hexenbiest”, Grimm
• “Thanks for the Memories”, Haven
• “Control-Alt-Delete”, Iron Man: Armored Adventures
• “Cinderella Liberty”, Last Resort
• “Endgame”, The Legend of Korra
• “Midnight Lamp”, Lost Girl
• “The Diamond of the Day”, Parts 1 and 2, Merlin
• Episode #4.3, Misfits
• Head over Heels, National Film and Television School (NFTS)
• Mockingbird Lane, NBC
• “Queen of Hearts”, Once Upon a Time
• “The Contingency”, Person of Interest
• “Trojan”, Red Dwarf
• “Nobody’s Fault But Mine”, Revolution
• “DC Comics Special”, Robot Chicken
• “Bill Plympton Couch Gag”, The Simpsons
• “Wrath of the Gods”, Spartacus: War of the Damned
• “Revenge”, Star Wars: The Clone Wars
• “Citizen Fang”, Supernatural
• “Fury”, Teen Wolf
• “Birth of the Blades”, Thundercats
• “Pilot”, Touch
• “Darkest Hour”, Transformers Prime
• “Scars”, Parts 1 and 2, TRON: Uprising
• “Save Yourself”, True Blood
• “Freaky”, Ultimate Spider-Man
• “The Departed”, The Vampire Diaries
• “A Very Venture Halloween”, The Venture Bros.
• “Parting Shots”, The Walking Dead
• Paperman, Walt Disney Animation Studios
• “The Ones You Love”, Warehouse 13
• “Depths”, Young Justice