Tag Archives: George R. R. Martin

Hugo Award Finalists, 2013 – First Impressions

2312As always, the finalists for the Hugo Awards and John W. Campbell Award for Best New Writer are an interesting lot with a few surprises and a number of disappointments. The 1343 valid nominating ballots represent a record number, more than 20% above last year’s previous record. The winners will be announced Sunday, September 1, 2013, during the Hugo Awards Ceremony at LoneStarCon 3 in San Antonio, Texas.

As usual, I am looking forward to my yearly journey through the contemporary science fiction world, even if the Hugo Award itself is becoming more of a popularity contest among fan personalities than ever before. Here are my initial thoughts about the nominees.

Best Novel (1113 ballots)

2312 by Kim Stanley Robinson (Orbit)
Blackout by Mira Grant (Orbit)
Captain Vorpatril’s Alliance by Lois McMaster Bujold (Baen)
Redshirts: A Novel with Three Codas by John Scalzi (Tor)
Throne of the Crescent Moon by Saladin Ahmed (DAW)

2312 appeared on almost every best-of list and should be the odds-on favorite to win. Saladin Ahmed’s first novel, Throne of the Crescent Moon, also received widespread accolades. John Scalzi’s Redshirts received some praise, but my guess, not having read it yet, is that readers liked its lighthearted premise of what it’s like to be a Star Trek crewmember more than its actual literary merits. Scalzi is also a popular fan personality, which helps his visibility. Lois McMaster Bujold is another fan favorite, having been nominated many, many times. My opinion is that her books are solid mid-list action-adventure tales, but mostly just comfort food for fans who relate well to her protagonist who overcomes major physical disabilities to become a badass soldier and politician. Blackout, by Seanan McGuire writing as Mira Grant, was on zero best-of lists and no other award short lists (at least, that I saw). But McGuire is a hugely popular blogger and podcaster whose celebrity within the fan community gives her a disproportionate advantage. The more of McGuire’s work I read, the less impressed I am. This is all the more disappointing because well-reviewed books such as Intrusion by Ken MacLeod, Jack Glass by Adam Roberts, The Killing Moon by N. K. Jemisin, The Drowning Girl by Caitlín R. Kiernan, and Glamour in Glass by Mary Robinette Kowal, among others, were ignored.

Asimovs_Oct-Nov_2012Best Novella (587 ballots)

After the Fall, Before the Fall, During the Fall by Nancy Kress (Tachyon Publications)
The Emperor’s Soul by Brandon Sanderson (Tachyon Publications)
On a Red Station, Drifting by Aliette de Bodard (Immersion Press)
San Diego 2014: The Last Stand of the California Browncoats by Mira Grant (Orbit)
“The Stars Do Not Lie” by Jay Lake (Asimov’s, Oct-Nov 2012)

After the Fall, Before the Fall, During the Fall; On a Red Station, Drifting; and “The Stars Do Not Lie” were all well reviewed and all are on the Nebula ballot. Neither The Emperor’s Soul nor San Diego 2014: The Last Stand of the California Browncoats appeared on any best-of or award lists that I saw. Here again, Sanderson’s and Grant’s fan popularity rather than the merits of their stories likely put them on the final ballot. The title of Grant’s story indicates it may be little more than fan fiction related to Joss Whedon’s hugely popular SF franchise, Firefly.

Best Novelette (616 ballots)

“The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
“Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
“The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
“In Sea-Salt Tears” by Seanan McGuire (Self-published)
“Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)

The love-fest for Seanan McGuire continues, incredulously including a self-published story. I’m not familiar with the other novelettes, so I am hoping that they will be decent. Certainly, Valente and Cadigan have produced top-notch work in the past.

Best Short Story (662 ballots)

“Immersion” by Aliette de Bodard (Clarkesworld, June 2012)
“Mantis Wives” by Kij Johnson (Clarkesworld, August 2012)
“Mono no Aware” by Ken Liu (The Future is Japanese, VIZ Media LLC)

All these stories undoubtedly deserve to be on the ballot. The sad news is that there are only three nominees because no other works received the minimum 5% of the votes required by the World Science Fiction Society constitution. I suspect this is due to a large number of good short stories that spread votes wide and thin.

Best Related Work (584 ballots)

The Cambridge Companion to Fantasy Literature Edited by Edward James & Farah Mendlesohn (Cambridge UP)
Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them Edited by Lynne M. Thomas & Sigrid Ellis (Mad Norwegian Press)
Chicks Unravel Time: Women Journey Through Every Season of Doctor Who Edited by Deborah Stanish & L.M. Myles (Mad Norwegian Press)
I Have an Idea for a Book… The Bibliography of Martin H. Greenberg Compiled by Martin H. Greenberg, edited by John Helfers (The Battered Silicon Dispatch Box)
Writing Excuses Season Seven by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler and Jordan Sanderson

This is a hard category to say much about. The variety of potential works is vast, so almost anything can appear. Farah Mendlesohn has produced a number of well received scholarly works in the past few years, so I expect The Cambridge Companion to Fantasy Literatures deserves its place on the final ballot. Previous volumes of Writing Excuses were pretty informative, so I’m not surprised to see it nominated again. I have no idea what Chicks Dig Comics or Chicks Unravel Time are, but from the titles they must be part of a female-centric critical series. Martin H. Greenberg’s book sounds like little more than a list, so I’m not sure what value it has, other than to honor one of the great anthologists of all time. I’m a little surprised there are no art books on the final ballot.

sagaBest Graphic Story (427 ballots)

Grandville Bête Noire written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
Locke & Key Volume 5: Clockworks written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
Saga, Volume One written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
Schlock Mercenary: Random Access Memorabilia by Howard Tayler, colors by Travis Walton (Hypernode Media)
Saucer Country, Volume 1: Run written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)

I’m actually pleasantly surprised by how good the selections are for this category, with the exception of Schlock Mercenary, a lightweight gag comic. It is a travesty that it is on the list and Batman: The Court of Owls is not. The voters have no trouble putting superhero stories in the Dramatic Presentation category, but for some reason resist them in their natural home, the Graphic Story category.

looperBest Dramatic Presentation (Long Form) (787 ballots)

The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
The Cabin in the Woods Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
The Hobbit: An Unexpected Journey Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
The Hunger Games Screenplay by Gary Ross & Suzanne Collins, Directed by Gary Ross (Lionsgate, Color Force)
Looper Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

There are no surprises here, other than not seeing Game of Thrones, Season 2.

Best Dramatic Presentation (Short Form) (597 ballots)

Doctor Who:“The Angels Take Manhattan” Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
Doctor Who:“Asylum of the Daleks” Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
Doctor Who:“The Snowmen” Written by Steven Moffat, Directed by Saul Metzstein (BBC Wales)
Fringe:“Letters of Transit” Written by J.J. Abrams, Alex Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
Game of Thrones:“Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

As I predicted, there are the usual three episodes of Doctor Who and two other sacrificial lambs. My only question is why a single episode of Game of Thrones is nominated. As established last year, Game of Thrones should be considered as one ten-part presentation. Nominating a single episode is like nominating a single chapter from a book. In any case, it doesn’t matter, since it’s a foregone conclusion that Doctor Who will win.

Best Editor – Short Form (526 ballots)

John Joseph Adams
Neil Clarke
Stanley Schmidt
Jonathan Strahan
Sheila Williams

The usual suspects are nominated once again. My hope is that the retiring Stanley Schmidt will finally receive his due.

Best Editor – Long Form (408 ballots)

Lou Anders
Sheila Gilbert
Liz Gorinsky
Patrick Nielsen Hayden
Toni Weisskopf

This is a category that very few people are really interested in. I certainly am not.

Julie-DillonBest Professional Artist (519 ballots)

Vincent Chong
Julie Dillon
Dan Dos Santos
Chris McGrath
John Picacio

A mixture of some old favorites along with some new faces. There are so many good professional artists that it is hard to pick a slate of nominees without offending some really deserving candidates. And picking a clear winner is nearly impossible.

Best Semiprozine (404 ballots)

Apex Magazine edited by Lynne M. Thomas, Jason Sizemore and Michael Damian Thomas
Beneath Ceaseless Skies edited by Scott H. Andrews
Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker
Lightspeed edited by John Joseph Adams and Stefan Rudnicki
Strange Horizons edited by Niall Harrison, Jed Hartman, Brit Mandelo, An Owomoyela, Julia Rios, Abigail Nussbaum, Sonya Taaffe, Dave Nagdeman and Rebecca Cross

It baffles me why this category should exist at all. Either you’re a professional magazine or you’re not. This wishy-washy half-measure should be abolished. For example, Clarkesworld published three Hugo nominees this year compared to one for Asimov’s and zero for Analog and F&SF. If that’s not a professional magazine, I don’t know what is.

Best Fanzine (370 ballots)

Banana Wings edited by Claire Brialey and Mark Plummer
The Drink Tank edited by Chris Garcia and James Bacon
Elitist Book Reviews edited by Steven Diamond
Journey Planet edited by James Bacon, Chris Garcia, Emma J. King, Helen J. Montgomery and Pete Young
SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester

The Hugo voters inexplicably changed the eligibility rules this year to exclude virtually all online fanzines. Why supposedly forward-looking science fiction fans chose to regress to only printed periodicals is a mystery.

Best Fancast (346 ballots)

The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
SF Signal Podcast, Patrick Hester, John DeNardo, and JP Frantz
SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer)
StarShipSofa, Tony C. Smith

Although the Hugo voters have excluded online fanzines, they have embraced podcasts. However, the same titles appear year after year, and frankly, I have not been impressed with any of them. Episodes of news and opinion shows are almost always too long and often lack organization. StarShipSofa’s selection of audio stories is underwhelming. I’m still looking for a SF podcast with value-added information that’s worth my time. I suspect others feel the same way, since this category had the second-lowest number of nominating ballots.

Best Fan Writer (485 ballots)

James Bacon
Christopher J Garcia
Mark Oshiro
Tansy Rayner Roberts
Steven H Silver

Mostly the same names we see every year in the mutual-admiration society known as fandom.

Best Fan Artist (293 ballots)

Galen Dara
Brad W. Foster
Spring Schoenhuth
Maurine Starkey
Steve Stiles

Here’s another list of mostly familiar names. At least professional artist Randall Munroe did not make the final ballot this year.

John W. Campbell Award for Best New Writer (476 ballots)

Award for the best new professional science fiction or fantasy writer of 2011 or 2012, sponsored by Dell Magazines (not a Hugo Award).

Zen Cho *
Max Gladstone
Mur Lafferty *
Stina Leicht *
Chuck Wendig *

* Finalists in their 2nd year of eligibility.

Mur Lafferty and Stina Leicht were both nominated last year, so I expect one of them will win this year. I am completely unfamiliar with the other three nominees.

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Hugo Awards 2012: Best Dramatic Presentation (Long Form)

The Best Dramatic Presentation category was added in 1958. It was split into Long Form (over 90 minutes) and Short Form (under 90 minutes) beginning in 2003. Although some traditionalists decry the addition of media-based works (and to be sure, some questionable movies and TV shows have been nominated and even won), this is usually one of the top vote-getting categories, showing it is popular with the Hugo voters.

Best Dramatic Presentation (Long Form) Nominations (603 ballots cast [compared to 510 ballots cast in 2011])
(The titles in bold are the ones I nominated.)

171 Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (28.35%)
148 Hugo, screenplay by John Logan; directed by Martin Scorsese (24.54%)
113 Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (18.74%)
112 Source Code, screenplay by Ben Ripley; directed by Duncan Jones (18.57%)
105 Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (17.41%)
———————————————————-
94 X-Men: First Class (15.59%)
78 Attack the Block (12.94%)
78 Super 8 (12.94%)
78 Thor (12.94%)
78 Misfits Series 1 (12.77%)
77 Kick-Ass (12.10%)
73 Rise of the Planet of the Apes (12.10%)
48 The Adjustment Bureau (7.96%)
36 Contagion (5.97%)
27 Cowboys and Aliens (4.48%)
24 Paul (3.98%)

Best Dramatic Presentation (Long Form) Final Ballot Results (1613 ballots [compared to 1755 ballots cast in 2011])

My Ranking Title Round 1 Round 2 Round 3 Round 4
2 Game of Thrones (Season 1) (WINNER) 710 711 756 808
6 Hugo 293 295 326 392
4 Captain America: The First Avenger 198 199 247 297
1 Source Code 192 192 208
3 Harry Potter and the Deathly Hallows Part 2 175 176
5 No Award 45

No Award Tests:
• 1181 ballots ranked Game of Thrones (Season 1) higher than No Award; 115 ballots ranked No Award higher than Game of Thrones (Season 1) – PASS
• ((1613-45)/1922)*100 = 82% – PASS

The remaining places were then calculated to be:
2nd Place – Hugo
3rd Place – Captain America: The First Avenger
4th Place – Harry Potter and the Deathly Hallows Part 2
5th Place – Source Code

Analysis

Fourteen items passed the 5% cutoff in what I thought was a lackluster year for movies. Unsurprisingly, the juggernaut Game of Thrones completely dominated the voting. I suspect this trend will continue for as long as the series is in production. Attack the Block and Misfits were not widely distributed in the U.S., or else they probably would have done better. My biggest surprise was that Rise of the Planet of the Apes wasn’t higher in the nominations, although I’m not surprised it didn’t make the top five. Contagion should also have ranked higher than it did—did people not think it was science fiction?

Mini-Reviews

Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel)

In a year loaded with super hero movies, Captain America stood out as one of the best, both in terms of the emotional arc of the title character and in the use of set design and special effects to convey a sense of reality lacking in many super-hero movies. It’s hard to convert the intrinsically unbelievability of comic books into something that looks good on screen. Although I liked X-Men: First Class more, I can’t argue that Captain America didn’t deserve recognition. See my full review here.

Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO)

This faithful and lavish production of George R.R. Martin’s epic fantasy was the clear favorite in a relatively weak field. It’s hard to compete with a 10-hour production that can include character and plot details that 2-hour movies cannot. My only knock against Game of Thrones is the same one I have about the books: it’s an unresolved chapter in a longer narrative. Nevertheless, as long as HBO can keep the quality at this level, Game of Thrones will be a favorite to win for several years to come.

Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.)

Despite being the second half of the adaptation of the final Harry Potter novel, Harry Potter and the Deathly Hallows Part 2 was pretty well self-contained, and was certainly a monumental conclusion to the film series. Unlike some of the entries that felt more like Cliff’s Notes versions of the books, this installment managed to retain most of the content from the book. The three primary actors, especially Daniel Radcliff, have grown into accomplished thespians who can carry off a story of this magnitude.

Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount)

Hugo was my favorite film of 2011. Period. But it is neither science fiction nor fantasy, despite having a brief plot point about a mechanical automaton. Hugo also boasted the best use of 3-D since Avatar. Nevertheless, it never should have been on the final ballot. See my full review here.

Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)

Although not quite as good as his Hugo-winning film Moon, Jones was able to use his higher budget to craft an entertaining story with big ideas. This tale of time travel and identity manipulation was very much in the tradition of Philip K. Dick. It’s hard to produce a time travel story without paradoxes, and this was no exception. The ending was satisfying on an emotional level, but didn’t hold up to careful scrutiny. Jones has become a top director, and I look forward to whatever he makes next, science fiction or otherwise.

Hugo Awards 2012: Best Novel

Novels are defined as stories of 40,000 words or more. The titles in bold are the ones I nominated.

2012 Best Novel Nominations (958 ballots cast [compared to 833 ballots cast in 2011])

175 Among Others by Jo Walton (18.27%)
163 Embassytown by China Miéville (17.01%)
130 A Dance With Dragons by George R.R. Martin (13.57%)
81 Deadline by Mira Grant (8.45%)
71 Leviathan Wakes by James S.A. Corey (7.41%)
——————————————————————–
70 The Quantum Thief by Hannu Rajaniemi (7.30%)
69 Rule 34 by Charles Stross (7.20%)
66 Ready Player One by Ernest Cline (6.89%)
62 The Kingdom of Gods by N.K. Jemison (6.47%)
61 Children of the Sky by Vernor Vinge (6.37%)
60 Zoo City by Lauren Beukes (6.26%)
58 Mechanique by Genevieve Valentine (5.74%)
52 Deathless by Catherynne Valente (5.42%)
49 11/22/63 by Stephen King (5.11%)
49 The Wise Man’s Fear by Patrick Rothfuss (5.11%)
48 Fuzzy Nation by John Scalzi (5.01%)

Best Novel Final Ballot Results (1664 ballots [compared to 1813 ballots cast in 2011])

My Ranking

Title

Round 1

Round 2

Round 3

Round 4

Round 5

3

Among Others (WINNER)

421

424

493

585

769

2

Embassytown

324

324

392

492

608

6

Deadline

311

312

367

418

4

A Dance With Dragons

316

317

360

1

Leviathan Wakes

260

261

5

No Award

32

No Award Tests
• 1164 ballots rank Among Others higher than No Award, 107 ballots rank No Award higher than Among Others – PASS
• ((1664-32)/1922)*100 = 85% – PASS

The remaining places were then calculated to be:
2nd Place – Embassytown
3rd Place – Leviathan Wakes
4th Place – Deadline
5th Place – A Dance With Dragons

Analysis

The Best Novel category is very strong, with 16 books making the 5% cutoff (Hugo rules stipulate that nominees must have at least 5% of the nominating votes to help indicate widespread support). Two books came within 2 votes of making the final ballot. I tend to nominate well-reviewed books that are nevertheless underdogs—why waste nominations on sure things like A Dance With Dragons? Although the number of nominating ballots went up considerably from last year, the number of final ballots dropped significantly.

Among Others, by a widely respected author and blogger, won the Nebula Award and had appeared on a lot of best-of lists, so there was little surprise that it won. Embassytown garnered a lot of critical praise, but was not an easy read. Leviathan Wakes is the first in a new space opera series, written under a pen name by a duo of George R.R. Martin’s protégées. It managed to climb from fifth to third in the final results, which demonstrated weak support for Deadline, the second book of a series, and A Dance With Dragons, the fifth book of a series. Hugo voters wisely rejected these two books as being incomplete stories.

Mini-Reviews

Among Others by Jo Walton (Tor)

This coming-of-age story of a teenage girl reminded me in tone of To Kill a Mockingbird, except with fairies. The book is an episodic semi-autobiography of Walton’s struggles with an abusive mother, the death of her twin sister, and discovery of science fiction fandom. As a love letter to fandom, it’s not hard to understand the reciprocal love the book received. The prose is beautifully written and evocative, just don’t expect a highly plot-driven adventure. The fantasy elements, to me, were secondary, especially since the protagonist was the only one who could see the fairies. Was she an unreliable narrator? That’s left for the reader to decide.

A Dance With Dragons by George R.R. Martin (Bantam Spectra)

The fifth chapter of Martin’s epic fantasy saga A Song of Ice and Fire, the first half of A Dance With Dragons recounts the adventures of the characters that Martin cut from A Feast for Crows seven years ago. Everyone eventually gets back in sync, just in time for another cliffhanger ending. Let’s hope that it won’t be seven years until Volume 6! When Martin finally finishes this story, I hope he wins every award imaginable, but in the meantime it’s hard to justify voting for a story that is far from complete.

Deadline by Mira Grant (Orbit)

This second volume of Grant’s zombie trilogy was underwhelming. It begins in the middle of the story and ends with not one, but two major cliffhangers. The writing is serviceable, but nothing special. The book is full of plot holes, too. For example, on a cross-country drive the protagonists stop at a service station for gas. Even though the station is closed tight, they have no trouble pumping their gas and going on their way. In another instance, they infiltrate a well-guarded government installation, making their escape only because it has the exact same floor plan as another facility on the other side of the country. Plus, the “surprise” ending is flashed in neon early in the book with the ham-handed revelation that cloning exists in this world. Grant (pen name of prolific podcaster and filker Seanan McGuire) obviously spent a lot of time researching how viruses could produce zombies, but she needed to think a little harder about a plausible plot and more realistic characters.

Embassytown by China Miéville (Macmillan / Del Rey)

Miéville is one of my favorite authors, with his boundless imagination and magnificent use of language. Embassytown’s central theme is how language shapes our perceptions. On a distant planet, aliens and humans try to find commonality, despite fundamental differences in communication styles. When some of the humans interfere with the aliens’ societal customs, conflict is inevitable (where is the Prime Directive when you need it!). Miéville is never one to shy away from an eloquent and rich vocabulary, often inventing words to suit his needs, but Embassytown goes even further in testing the reader’s tolerance for made-up language. This isn’t a quick and easy read, but the astute reader will undoubtedly reap much from this well-crafted parable.

Leviathan Wakes by James S.A. Corey (Orbit)

Corey is the pen name of Daniel Abraham, a long-time collaborator of George R.R. Martin on the Wild Cards books and adaptor of Martin’s works for comics (as well as a respected solo author), and Ty Frank, one of Martin’s personal assistants. Leviathan Wakes is the first in a new space opera series. The story wraps up nicely, but there are definite plot threads that will lead to interesting complications in future volumes. The authors paint a detailed and action-packed universe, with protagonists that are well-developed. I thoroughly enjoyed the book and look forward to more in this series.

Chicon 7

Chicon 7, the 70th World Science Fiction Convention, was held in the Chicago Hyatt Regency from August 30 through September 3, 2012. The convention was the best attended Worldcon since L.A. Con IV in 2006, with almost 5000 warm bodies present.

Overall, I enjoyed Chicon 7 a lot, and didn’t have much to complain about regarding the Hugo winners (the nominees are a different story!). The number of nominations was generally higher than last year for Renovation, perhaps due to a rule change that allowed members of three years’ worth of Worldcons to nominate. However, the number of final ballots was generally lower, sometimes significantly, than last year. I don’t know if this was due to apathy about the quality of nominees, or whether Renovation did a better job of nagging members to vote.

Hyatt Regency – Chicago

The Hyatt Regency is a very large hotel with ample meeting space for a convention of this size. The problem is that the hotel is split into two towers with events in each tower. The way the escalators and elevators were laid out made for difficult navigating within and between the towers and their multiple, arbitrarily color-coded levels. There were a number of complaints from mobility-challenged fans about the inadequacy of handicap access. To confound attendees further, the con organizers somehow thought it was a good idea to include a nonexistent meeting room on the schedule. Apparently, this hoax room is a tradition with Chicago conventions, but the humor was lost on those not in on the joke.

2012 Hugo Trophy

Programming ran continuously from noon on Thursday to mid-afternoon on Monday. While there were plenty of panels worth seeing, and many time slots with multiple items of interest, there were very few “must see” panels. There were a handful of special events, such as the Masquerade and Hugo Award Ceremony, that were highlights. The opening night event at the Adler Planetarium was especially fun and interesting.

The Dealers’ Room was in a nice, large space. It took me a little over an hour to go through it the first time, and I dropped in a couple more times during the weekend. There were a few interesting vendors, but I didn’t end up buying anything. The Art Show was in a large ballroom and had plenty of space. There was the usual mix of professional and amateur 2-D and 3-D works ranging from the awful to the sublime.

George R.R. Martin, Mike Resnick, Joe Haldeman, Robert Silverberg

Panels were varied and well run, heavily weighted towards literature and space exploration, reflecting the strengths of the convention’s guests. There were a handful of panels related to TV and movies, as well as things like costuming and filking that I am not interested in.

Connie Willis, Robert Silverberg

Unlike many recent Worldcons, the only late night activities were filking and parties. Fun, late night programs such as “Just a Minute” and “Match Game” were absent. There were no anime or movie rooms operating at night, which I found strange. (The only film room showed mostly public domain cartoons, and only during the day, as far as I could tell.) There were no screenings of the Hugo nominated dramatic presentations. Apparently, attendance at convention film screenings is too low to justify the cost of renting films and paying technicians to show them. There was a film festival running during the convention which screened independent films; and while I am sure there were some hidden gems amongst the entries, my less-than-satisfying experiences with similar film festivals kept me from exploring this one.

From Dragon*Con: Toni Weisskopf, T.C. McCarthy, Chelsea Quinn Yarbro

One of the innovations that the convention tried was to have a number of joint panels with Dragon*Con in Atlanta. I attended a couple of these panels, and for the most part they worked well. Video conferencing is often fraught with technical difficulties, but the technicians had it working smoothly. As long as these two large conventions share Labor Day weekend, it makes sense to do some cross-programming. I hope this will become a regular part of Worldcons to come.

David Brin and Tad Daley discuss the definition of democracy.

Nothing against younger writers, but the old-time raconteurs make the most entertaining and thought-provoking panelists. Examples were Connie Willis and Robert Silverberg riffing on each other, Guest-of-Honor Mike Resnick reminiscing about his career, gray-beards Gardner Dozois, Robert Silverberg, Mike Resnick, Joe Haldeman, and George R. R. Martin recounting the silly things they’ve done individually and together, and David Brin ranting on science and politics.

John Scalzi interviews Story Musgrave.

The highlight of the convention was seeing Guest of Honor Story Musgrave. A veteran of six Space Shuttle flights, including a Hubble Space Telescope repair mission, Musgrave is a real-life Buckaroo Banzai. Surgeon, engineer, pilot, farmer, and poet are just a few of Musgrave’s accomplishments. At 77 years old, he could easily pass for 50. Musgrave’s boundless humor, enthusiasm, and optimism fuel his curiosity and drive. At the same time, he is humble and down-to-earth, and was clearly moved and honored to be recognized by the science fiction community. I was inspired, educated, and entertained by this remarkable person.

An all-volunteer-run event of this scale and quality and complexity is simply amazing. The con committee did an excellent job working in the background to ensure our enjoyment, comfort, and safety. I had a wonderful time, as did the people I talked with. This was a superb convention.

2012 Hugo Award Nominations

The World Science Fiction Society (WSFS) announced the nominees for the 2012 Hugo Awards and the nominee for the John W. Campbell Award for Best New Writer. The complete list may be found at the Chicon 7 website.

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Novel

There were only two novels nominated for both the Hugo and Nebula this year, Among Others by Jo Walton and Embassytown by China Miéville. George R. R. Martin is a huge fan favorite, and with his hit Game of Thrones TV series it was all but certain that A Dance With Dragons would be nominated. Leviathan Wakes by James S. A. Corey was on a fair number of best-of lists, so it’s presence on the Hugo ballot is not a big surprise. The bigger surprise is Deadline by Mira Grant, which I don’t think was on too many best-of lists, but the author (real name Seanan McGuire) is very active in SF fandom and Deadline is a sequel to her book Feed that was nominated last year. Embassytown has been raking in most of the awards so far, but I wouldn’t count out Martin’s popularity to make him a dark horse favorite.

Graphic Story

With only 339 ballots, this category continues to be one of the least popular. Nevertheless, the nominees this year are markedly better than in years past. Perennial nominees Fables and Schlock Mercenary made the list again this year. The fannish Girl Genius was replaced by the fannish Digger by Ursula Vernon, which was begun in 2007 and completed in 2011. Coming in at over 700 pages, it will be interesting to see who has the stamina to wade through the whole thing. This is a comic that I had never heard of before, but I just read the first 20 pages and it looks intriguing, at least. My favorites, by far, are Locke & Key and The Unwritten. It’s unfortunate that terrific graphic stories such as Habibi by Craig Thompson, Chew by John Layman and Rob Guillory, Naoki Urasawa’s 20th Century Boys, and The Walking Dead by Robert Kirkman didn’t make the ballot.

Dramatic Presentation (Long Form)

Game of Thrones has to be the odds-on favorite, what with its pedigree and ability to tell a 10-hour, fully realized story. I wouldn’t count out Harry Potter and the Deathly Hallows Part 2 due to the immense popularity and sentimentality for this final installment of the Harry Potter series, but it seems a long shot, nevertheless. Hugo might also sneak in as the winner, but as good a film as it is, it really is not science fiction or fantasy, except in the broadest sense. Source Code was a fine follow-up to Duncan Jones’s Moon, but it is not nearly as good. Captain America: The First Avenger has no chance to win (and in my opinion, X-Men: First Class was the better superhero film last year). I’m a little surprised that Midnight in Paris wasn’t nominated, but I suspect it’s a bit too mainstream for the Hugo voters. I’m also a little surprised neither Puss in Boots nor Rango were nominated, but animated films seem to be less well regarded. The biggest surprise, by far, was the omission of Rise of the Planet of the Apes from the ballot.

Dramatic Presentation (Short Form)

Doctor Who dominates the category, as usual. I give Neil Gaiman’s episode, “The Doctor’s Wife,” the edge due to Gaiman’s popularity among Hugo voters. I suppose Chris Garcia’s Hugo acceptance speech was dramatic, and although it was certainly moving, it really does not deserve to be nominated. My choice, which I admit is a long shot, is the Community episode “Remedial Chaos Theory,” which is a clever and hilarious meditation on parallel world theory. My biggest disappointment was that The Fantastic Flying Books of Mr. Morris Lessmore, the Academy Award winning short film, was not nominated.

Summary

Overall, it looks like most of the nominations are deserved. With a record number of nominations (1101), one can assume that most of the nominees have a goodly amount of support and that frivolous entries are minimal. I am looking forward to reading, listening to, and viewing as many of the nominees as possible.