Tag Archives: Locke & Key

Hugo Award Finalists, 2013 – First Impressions

2312As always, the finalists for the Hugo Awards and John W. Campbell Award for Best New Writer are an interesting lot with a few surprises and a number of disappointments. The 1343 valid nominating ballots represent a record number, more than 20% above last year’s previous record. The winners will be announced Sunday, September 1, 2013, during the Hugo Awards Ceremony at LoneStarCon 3 in San Antonio, Texas.

As usual, I am looking forward to my yearly journey through the contemporary science fiction world, even if the Hugo Award itself is becoming more of a popularity contest among fan personalities than ever before. Here are my initial thoughts about the nominees.

Best Novel (1113 ballots)

2312 by Kim Stanley Robinson (Orbit)
Blackout by Mira Grant (Orbit)
Captain Vorpatril’s Alliance by Lois McMaster Bujold (Baen)
Redshirts: A Novel with Three Codas by John Scalzi (Tor)
Throne of the Crescent Moon by Saladin Ahmed (DAW)

2312 appeared on almost every best-of list and should be the odds-on favorite to win. Saladin Ahmed’s first novel, Throne of the Crescent Moon, also received widespread accolades. John Scalzi’s Redshirts received some praise, but my guess, not having read it yet, is that readers liked its lighthearted premise of what it’s like to be a Star Trek crewmember more than its actual literary merits. Scalzi is also a popular fan personality, which helps his visibility. Lois McMaster Bujold is another fan favorite, having been nominated many, many times. My opinion is that her books are solid mid-list action-adventure tales, but mostly just comfort food for fans who relate well to her protagonist who overcomes major physical disabilities to become a badass soldier and politician. Blackout, by Seanan McGuire writing as Mira Grant, was on zero best-of lists and no other award short lists (at least, that I saw). But McGuire is a hugely popular blogger and podcaster whose celebrity within the fan community gives her a disproportionate advantage. The more of McGuire’s work I read, the less impressed I am. This is all the more disappointing because well-reviewed books such as Intrusion by Ken MacLeod, Jack Glass by Adam Roberts, The Killing Moon by N. K. Jemisin, The Drowning Girl by Caitlín R. Kiernan, and Glamour in Glass by Mary Robinette Kowal, among others, were ignored.

Asimovs_Oct-Nov_2012Best Novella (587 ballots)

After the Fall, Before the Fall, During the Fall by Nancy Kress (Tachyon Publications)
The Emperor’s Soul by Brandon Sanderson (Tachyon Publications)
On a Red Station, Drifting by Aliette de Bodard (Immersion Press)
San Diego 2014: The Last Stand of the California Browncoats by Mira Grant (Orbit)
“The Stars Do Not Lie” by Jay Lake (Asimov’s, Oct-Nov 2012)

After the Fall, Before the Fall, During the Fall; On a Red Station, Drifting; and “The Stars Do Not Lie” were all well reviewed and all are on the Nebula ballot. Neither The Emperor’s Soul nor San Diego 2014: The Last Stand of the California Browncoats appeared on any best-of or award lists that I saw. Here again, Sanderson’s and Grant’s fan popularity rather than the merits of their stories likely put them on the final ballot. The title of Grant’s story indicates it may be little more than fan fiction related to Joss Whedon’s hugely popular SF franchise, Firefly.

Best Novelette (616 ballots)

“The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
“Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
“The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
“In Sea-Salt Tears” by Seanan McGuire (Self-published)
“Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)

The love-fest for Seanan McGuire continues, incredulously including a self-published story. I’m not familiar with the other novelettes, so I am hoping that they will be decent. Certainly, Valente and Cadigan have produced top-notch work in the past.

Best Short Story (662 ballots)

“Immersion” by Aliette de Bodard (Clarkesworld, June 2012)
“Mantis Wives” by Kij Johnson (Clarkesworld, August 2012)
“Mono no Aware” by Ken Liu (The Future is Japanese, VIZ Media LLC)

All these stories undoubtedly deserve to be on the ballot. The sad news is that there are only three nominees because no other works received the minimum 5% of the votes required by the World Science Fiction Society constitution. I suspect this is due to a large number of good short stories that spread votes wide and thin.

Best Related Work (584 ballots)

The Cambridge Companion to Fantasy Literature Edited by Edward James & Farah Mendlesohn (Cambridge UP)
Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them Edited by Lynne M. Thomas & Sigrid Ellis (Mad Norwegian Press)
Chicks Unravel Time: Women Journey Through Every Season of Doctor Who Edited by Deborah Stanish & L.M. Myles (Mad Norwegian Press)
I Have an Idea for a Book… The Bibliography of Martin H. Greenberg Compiled by Martin H. Greenberg, edited by John Helfers (The Battered Silicon Dispatch Box)
Writing Excuses Season Seven by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler and Jordan Sanderson

This is a hard category to say much about. The variety of potential works is vast, so almost anything can appear. Farah Mendlesohn has produced a number of well received scholarly works in the past few years, so I expect The Cambridge Companion to Fantasy Literatures deserves its place on the final ballot. Previous volumes of Writing Excuses were pretty informative, so I’m not surprised to see it nominated again. I have no idea what Chicks Dig Comics or Chicks Unravel Time are, but from the titles they must be part of a female-centric critical series. Martin H. Greenberg’s book sounds like little more than a list, so I’m not sure what value it has, other than to honor one of the great anthologists of all time. I’m a little surprised there are no art books on the final ballot.

sagaBest Graphic Story (427 ballots)

Grandville Bête Noire written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
Locke & Key Volume 5: Clockworks written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
Saga, Volume One written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
Schlock Mercenary: Random Access Memorabilia by Howard Tayler, colors by Travis Walton (Hypernode Media)
Saucer Country, Volume 1: Run written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)

I’m actually pleasantly surprised by how good the selections are for this category, with the exception of Schlock Mercenary, a lightweight gag comic. It is a travesty that it is on the list and Batman: The Court of Owls is not. The voters have no trouble putting superhero stories in the Dramatic Presentation category, but for some reason resist them in their natural home, the Graphic Story category.

looperBest Dramatic Presentation (Long Form) (787 ballots)

The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
The Cabin in the Woods Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
The Hobbit: An Unexpected Journey Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
The Hunger Games Screenplay by Gary Ross & Suzanne Collins, Directed by Gary Ross (Lionsgate, Color Force)
Looper Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

There are no surprises here, other than not seeing Game of Thrones, Season 2.

Best Dramatic Presentation (Short Form) (597 ballots)

Doctor Who:“The Angels Take Manhattan” Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
Doctor Who:“Asylum of the Daleks” Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
Doctor Who:“The Snowmen” Written by Steven Moffat, Directed by Saul Metzstein (BBC Wales)
Fringe:“Letters of Transit” Written by J.J. Abrams, Alex Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
Game of Thrones:“Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

As I predicted, there are the usual three episodes of Doctor Who and two other sacrificial lambs. My only question is why a single episode of Game of Thrones is nominated. As established last year, Game of Thrones should be considered as one ten-part presentation. Nominating a single episode is like nominating a single chapter from a book. In any case, it doesn’t matter, since it’s a foregone conclusion that Doctor Who will win.

Best Editor – Short Form (526 ballots)

John Joseph Adams
Neil Clarke
Stanley Schmidt
Jonathan Strahan
Sheila Williams

The usual suspects are nominated once again. My hope is that the retiring Stanley Schmidt will finally receive his due.

Best Editor – Long Form (408 ballots)

Lou Anders
Sheila Gilbert
Liz Gorinsky
Patrick Nielsen Hayden
Toni Weisskopf

This is a category that very few people are really interested in. I certainly am not.

Julie-DillonBest Professional Artist (519 ballots)

Vincent Chong
Julie Dillon
Dan Dos Santos
Chris McGrath
John Picacio

A mixture of some old favorites along with some new faces. There are so many good professional artists that it is hard to pick a slate of nominees without offending some really deserving candidates. And picking a clear winner is nearly impossible.

Best Semiprozine (404 ballots)

Apex Magazine edited by Lynne M. Thomas, Jason Sizemore and Michael Damian Thomas
Beneath Ceaseless Skies edited by Scott H. Andrews
Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker
Lightspeed edited by John Joseph Adams and Stefan Rudnicki
Strange Horizons edited by Niall Harrison, Jed Hartman, Brit Mandelo, An Owomoyela, Julia Rios, Abigail Nussbaum, Sonya Taaffe, Dave Nagdeman and Rebecca Cross

It baffles me why this category should exist at all. Either you’re a professional magazine or you’re not. This wishy-washy half-measure should be abolished. For example, Clarkesworld published three Hugo nominees this year compared to one for Asimov’s and zero for Analog and F&SF. If that’s not a professional magazine, I don’t know what is.

Best Fanzine (370 ballots)

Banana Wings edited by Claire Brialey and Mark Plummer
The Drink Tank edited by Chris Garcia and James Bacon
Elitist Book Reviews edited by Steven Diamond
Journey Planet edited by James Bacon, Chris Garcia, Emma J. King, Helen J. Montgomery and Pete Young
SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester

The Hugo voters inexplicably changed the eligibility rules this year to exclude virtually all online fanzines. Why supposedly forward-looking science fiction fans chose to regress to only printed periodicals is a mystery.

Best Fancast (346 ballots)

The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
SF Signal Podcast, Patrick Hester, John DeNardo, and JP Frantz
SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer)
StarShipSofa, Tony C. Smith

Although the Hugo voters have excluded online fanzines, they have embraced podcasts. However, the same titles appear year after year, and frankly, I have not been impressed with any of them. Episodes of news and opinion shows are almost always too long and often lack organization. StarShipSofa’s selection of audio stories is underwhelming. I’m still looking for a SF podcast with value-added information that’s worth my time. I suspect others feel the same way, since this category had the second-lowest number of nominating ballots.

Best Fan Writer (485 ballots)

James Bacon
Christopher J Garcia
Mark Oshiro
Tansy Rayner Roberts
Steven H Silver

Mostly the same names we see every year in the mutual-admiration society known as fandom.

Best Fan Artist (293 ballots)

Galen Dara
Brad W. Foster
Spring Schoenhuth
Maurine Starkey
Steve Stiles

Here’s another list of mostly familiar names. At least professional artist Randall Munroe did not make the final ballot this year.

John W. Campbell Award for Best New Writer (476 ballots)

Award for the best new professional science fiction or fantasy writer of 2011 or 2012, sponsored by Dell Magazines (not a Hugo Award).

Zen Cho *
Max Gladstone
Mur Lafferty *
Stina Leicht *
Chuck Wendig *

* Finalists in their 2nd year of eligibility.

Mur Lafferty and Stina Leicht were both nominated last year, so I expect one of them will win this year. I am completely unfamiliar with the other three nominees.

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For Your Consideration: Hugo Award Graphic Story

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

One of the troubles with the Graphic Story category is that much of what’s published is in a highly serialized form, with storylines sometimes extending over more than a year. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes often don’t represent entire, self-contained stories.

In my opinion, the graphic story category remains the strongest overall category on the Hugo ballot. Choosing five nominees is an almost impossible task because there are so many good choices to pick from. Yet, the Hugo voters consistently nominate the same fanish works year after year. Come on, folks, there is more than Girl Genius and Schlock Mercenary. Much more.

The comics world is producing more top-notch work than in any other Hugo category, yet only seven works made the 5% cutoff last year (nine, if you count two works with 4.94% each). The number of graphic stories that are published is staggering, so I challenge the Hugo voters to think carefully about your choices and to not just fill in your ballots with last year’s nominees because you can’t think of anything else. Don’t be afraid to nominate superhero stories; these are some of the most exciting and relevant science fiction tales being published.

For your consideration:

  • The Abominable Charles Christopher, Karl Kerschl (http://karlkerschl.com)AdventureTime_v1
  • Adventure Time, Vol. 1, Ryan North, Shelli Paroline, Branden Lamb (BOOM! Studios)
  • American Vampire, Vol. 4, Scott Snyder, Rafael Albuquerque (Vertigo)
  • Aquaman, Vol. 1, Geoff Johns, Ivan Reis, Joe Prado (DC)
  • Batman: Earth One, Geoff Johns, Gary Frank (DC)batman-court-of-owls
  • Batman: The Court of Owls, Scott Snyder, Greg Capullo (DC)
  • The Battle of Blood and Ink: A Fable of the Flying City, Jared Axelrod, Steve Walker (Tor)
  • Battlepug, Mike Norton (http://www.battlepug.com)
  • Batwoman, Vol. 1, J.H. Williams III, W. Haden Blackman (DC)
  • Chew, Vol. 6: Space Cakes, John Layman, Rob Guillory (Image)
  • Cinderella: Fables are Forever, Chris Roberson, Shawn McManus (Vertigo)
  • Daredevil, Vol. 1, Mark Waid, Chris Samnee (Marvel)dial-h
  • Dial H, Vol. 1: Into You, China Miéville, Mateus Santolouco (DC)
  • Earth 2, Vol. 1, James Robinson, Nicola Scott (DC)
  • Fables, Vol. 17: Inherit the Wind, Bill Willingham, et al (Vertigo)
  • Frankenstein Alive, Alive!, Steve Niles, Bernie Wrightson (IDW)
  • Grandville Bete Noir, Bryan Talbot (Dark Horse)
  • Hawkeye, Vol. 1, Matt Fraction, David Aja, Javier Pulido (Marvel)irredeemable
  • Irredeemable, Vol. 10, Mark Waid, Diego Barreto (BOOM! Studios)
  • iZombie, Vol. 4: Repossessed, Chris Roberson, Mike Allred (DC)
  • Justice League, Vol. 1, Geoff Johns, Jim Lee (DC)
  • Lobster Johnson Vol. 2: The Burning Hand, Mike Mignola, John Arcudi, Scott Allie, Tonci Zonjic (Dark Horse)
  • Locke & Key: Clockworks, Joe Hill, Gabriel Rodriguez (IDW)manhattan-projects
  • The Manhattan Projects, Vol. 1, Jonathan Hickman, Nick Pitavro (Image)
  • Mind MGMT, Matt Kindt (Dark Horse)20thCenturyBoys22
  • Naoki Urasawa’s 20th Century Boys, Vol. 22, Naoki Urasawa (VIZ Media)
  • The New Deadwardians, Dan Abnett, I.N.J. Culbard (Vertigo)
  • Peter Panzerfaust, Vol. 1: The Great Escape, Kurtis Wiebe, Tyler Jenkins (Image)
  • Prophet, Vol. 1: Remission, SImon Roy, Farel Dalrymple, Giannis Milogiannis, Brandon Graham (Image)
  • Punk Rock Jesus, Sean Murphy (Vertigo)saga
  • Saga, Vol. 1, Brian K. Vaughn, Fiona Staples (Image)
  • Sailor Twain: Or: The Mermaid in the Hudson, Mark Siegel (First Second)
  • Saucer Country, Vol. 1: Run, Paul Cornell, Ryan Kelly (Vertigo)
  • The Strange Talent of Luther Strode, Vol. 1, Tradd Moore, Justin Jordan (Image)
  • Superman: Earth One, Vol. 2, J. Michael Straczynski, Shane Davis (DC)
  • The Underwater Welder, Jeff Lemire (Top Shelf)the-unwritten-6
  • The Unwritten, Volume 6: Tommy Taylor and the War of Words, Mike Carey, Peter Gross (Vertigo)
  • The Walking Dead, Vol. 16: A Larger World, Robert Kirkman, Charlie Allard (Image)
  • Wonder Woman, Vol. 1, Brian Azzarello, Tony Akins (DC)wrinkle-in-time-graphic-novel
  • A Wrinkle in Time, adapted by Hope Larson (Farrar, Straus and Giroux)

Hugo Awards 2012: Best Graphic Story

In 1988, Nolacon II created a one-time special category, “Other Forms,” as a way to honor the graphic novel Watchmen by Alan Moore and Dave Gibbons. In subsequent years fans discussed whether there should be a permanent graphic novel category, but nothing happened until 2008. That year the organizers of Anticipation agreed to include a one-time, special Best Graphic Story category in 2009 in expectation that the 2009 Business Meeting would institute Best Graphic Story as an official category. This did indeed happen, and thus, Best Graphic Story became a new category in 2010. The award was ratified by the 2012 Business Meeting, making it permanent.

Best Graphic Story Nominations (344 ballots cast [compared to 287 ballots cast in 2011])
(The titles in bold are the ones I nominated.)

60 Schlock Mercenary: Force Multiplication written and illustrated by Howard Tayler, colors by Travis Walton (17.4%)
36 Fables Vol 15: Rose Red by Bill Willingham and Mark Buckingham (10.47%)
33 Digger by Ursula Vernon (9.59%)
28 The Unwritten (Volume 4): Leviathan created by Mike Carey and Peter Gross. Written by Mike Carey, illustrated by Peter Gross (8.14%)
26 Locke & Key Volume 4, Keys to the Kingdom written by Joe Hill, illustrated by Gabriel Rodriguez (7.55%)
———————————-
21 Finder: Voice by Carla Speed McNeil (6.10%)
20 Doorways by George R.R. Martin, illustrated by Stefano Martino (5.57%)
17 Fevre Dream by George R.R. Martin and Daniel Abraham, illustrated by Rafa Lopez; (4.94%)
17 Habibi by Craig Thompson (4.94%)
14 Gunnerkrigg Court Volume 3: Reason by Thomas Siddell (4.07%)
12 Freakangels Volume 5 by Warren Ellis and Paul Duffield (3.49%)
11 Anya`s Ghost by Vera Brosgol (3.20%)
10 Buffy the Vampire Slayer Season 8 by Joss Whedon (2.91%)
10 Knight and Squire by Bill Willingham, illustrated by Joao Ruas (2.91%)
10 Fables Volume 16: Super Team by Paul Cornell, illustrated by Jimmy Broxton (2.91%)

Best Graphic Story Final Ballot Results (1091 ballots [compared to 1263 ballots cast in 2011])

My Ranking

Title

Round 1

Round 2

Round 3

Round 4

Round 5

4

Digger (WINNER)

391

394

416

443

499

3

Fables Vol 15: Rose Red

193

194

222

295

361

6

Schlock Mercenary: Force Multiplication

181

182

189

208

1

Locke & Key Volume 4, Keys to the Kingdom

133

133

165

2

The Unwritten (Volume 4): Leviathan

109

109

5

No Award

84

No Award Tests:
• 685 ballots ranked Digger higher than No Award; 109 ballots ranked No Award higher than Digger – PASS
• ((1091-84)/1922 )*100 = 52% – PASS

The remaining places were then calculated to be:
2nd Place – Fables Vol 15: Rose Red
3rd Place – Locke & Key Volume 4, Keys to the Kingdom
4th Place – Schlock Mercenary: Force Multiplication
5th Place – The Unwritten (Volume 4): Leviathan
 
Analysis

Phil Foglio withdrew Girl Genius, the winner for the past three years, from consideration. Some griped that this simply meant that the second best graphic novel would be selected. My opinion is that Hugo voters are not particularly sophisticated about graphic novels and are sending essentially the same titles up for consideration again and again. Schlock Mercenary and Fables have been nominated every year, and this is the second year in a row for The Unwritten. Digger, a web-based comic with the same fanish sensibilities as Girl Genius, filled the void left by Girl Genius.

One of the troubles with this category is that much of what’s published is in a highly serialized form, with storylines often extending over several years. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes don’t often represent entire, self-contained stories. How can one justify recognizing an incomplete story?

The comics world is producing more top-notch work than in any other Hugo category, yet only seven titles made the 5% cutoff (interestingly, during the Business Meeting discussion about whether to ratify Graphic Story as a permanent category, the Hugo administrator stated that nine titles had made the cutoff—I guess they consider 4.94 to be close enough to 5 to count). It was great to see Carla Speed McNeil’s Eisner and L.A. Times Book Prize winner Finder getting attention (however, the storyline Voice was completed in 2008, so it’s unclear whether the printed volume in 2011 would have been eligible), but where were Atomic Robo, Battlepug, Chew, Daredevil, 20th Century Boys, American Vampire, Joe the Barbarian, The Walking Dead, and Irredeemable? Why weren’t Habibi and Anya’s Ghost ranked higher?

There were noticeably more nominating ballots cast this year than last year, but there was a sharp drop in the number of final ballots cast. Only a little more than half the total voters voted in this category. So, it seems this is not a hugely popular category.

Mini-Reviews

Digger by Ursula Vernon (Sofawolf Press)

I have to admit that I only got through about 100 pages of this 700+ page opus. What I did read was pretty good, but somewhat similar to things like Cerebus the Aardvark and Howard the Duck, pitting an anthropomorphic animal (in this case, a wombat) against human antagonists. Even though I am a big comic book fan, I had not heard of Digger before it was nominated. Looking back at Eisner Award records, I saw she was nominated in 2006 in the category Talent Deserving of Wider Recognition, but I am not a connoisseur of web-based comics, so it didn’t register in my memory. Digger certainly had the overwhelming support of the Hugo voters. It has the cute animal/fantasy vibe that Hugo voters seem to gravitate to. In her acceptance speech Ursula Vernon hinted that there was a huge twist ending, so I will make it a point to finish this massive story.

Fables Vol 15: Rose Red by Bill Willingham and Mark Buckingham (Vertigo)

Fables is one of the few cross-over favorites of the SF and comic book worlds. The first half of this trade edition was very good, chronicling the struggles of Snow White’s sister, Rose Red. The second half of the book was much less effective. It was not clear whether the intent of the voters was to honor just the Rose Red portion, or the entire volume. Nevertheless, the best of Fables is in its early years, and it seems momentum is keeping it on the ballot when perhaps other works are more deserving.

Locke & Key Volume 4, Keys to the Kingdom by Joe Hill, illustrated by Gabriel Rodriguez (IDW)

Locke & Key is a marvelous horror story, about a single mother and her children coping with life in a haunted house. The story is chilling without being too graphic. It’s hard to justify voting for a single, open-ended volume, but for me, Locke & Key is too good not to vote for, and I’m not even a big horror fan.

Schlock Mercenary: Force Multiplication written and illustrated by Howard Tayler, colors by Travis Walton (The Tayler Corporation)

I just don’t get Schlock Mercenary, a space opera gag strip that’s a clear parody of Star Trek. Its fans are certainly motivated: it garnered significantly more nominations than anything else. It has the cutesy artwork that Hugo voters like, but I think it’s just occasionally amusing and without much substance. What am I missing?

The Unwritten (Volume 4): Leviathan created by Mike Carey and Peter Gross. Written by Mike Carey, illustrated by Peter Gross (Vertigo)

I don’t understand why The Unwritten doesn’t get more Hugo love. It’s all about great literature, with lots of magic and adventure. Perhaps casual readers think it’s too much of a Harry Potter pastiche, but it is far from that. This particular volume did suffer from being a middle chapter in a longer work, with no clear resolution.  I thought the previous volume, Dead Man’s Knock, was a better representation of the series and was more self-contained.

2012 Hugo Award Nominations

The World Science Fiction Society (WSFS) announced the nominees for the 2012 Hugo Awards and the nominee for the John W. Campbell Award for Best New Writer. The complete list may be found at the Chicon 7 website.

x

Novel

There were only two novels nominated for both the Hugo and Nebula this year, Among Others by Jo Walton and Embassytown by China Miéville. George R. R. Martin is a huge fan favorite, and with his hit Game of Thrones TV series it was all but certain that A Dance With Dragons would be nominated. Leviathan Wakes by James S. A. Corey was on a fair number of best-of lists, so it’s presence on the Hugo ballot is not a big surprise. The bigger surprise is Deadline by Mira Grant, which I don’t think was on too many best-of lists, but the author (real name Seanan McGuire) is very active in SF fandom and Deadline is a sequel to her book Feed that was nominated last year. Embassytown has been raking in most of the awards so far, but I wouldn’t count out Martin’s popularity to make him a dark horse favorite.

Graphic Story

With only 339 ballots, this category continues to be one of the least popular. Nevertheless, the nominees this year are markedly better than in years past. Perennial nominees Fables and Schlock Mercenary made the list again this year. The fannish Girl Genius was replaced by the fannish Digger by Ursula Vernon, which was begun in 2007 and completed in 2011. Coming in at over 700 pages, it will be interesting to see who has the stamina to wade through the whole thing. This is a comic that I had never heard of before, but I just read the first 20 pages and it looks intriguing, at least. My favorites, by far, are Locke & Key and The Unwritten. It’s unfortunate that terrific graphic stories such as Habibi by Craig Thompson, Chew by John Layman and Rob Guillory, Naoki Urasawa’s 20th Century Boys, and The Walking Dead by Robert Kirkman didn’t make the ballot.

Dramatic Presentation (Long Form)

Game of Thrones has to be the odds-on favorite, what with its pedigree and ability to tell a 10-hour, fully realized story. I wouldn’t count out Harry Potter and the Deathly Hallows Part 2 due to the immense popularity and sentimentality for this final installment of the Harry Potter series, but it seems a long shot, nevertheless. Hugo might also sneak in as the winner, but as good a film as it is, it really is not science fiction or fantasy, except in the broadest sense. Source Code was a fine follow-up to Duncan Jones’s Moon, but it is not nearly as good. Captain America: The First Avenger has no chance to win (and in my opinion, X-Men: First Class was the better superhero film last year). I’m a little surprised that Midnight in Paris wasn’t nominated, but I suspect it’s a bit too mainstream for the Hugo voters. I’m also a little surprised neither Puss in Boots nor Rango were nominated, but animated films seem to be less well regarded. The biggest surprise, by far, was the omission of Rise of the Planet of the Apes from the ballot.

Dramatic Presentation (Short Form)

Doctor Who dominates the category, as usual. I give Neil Gaiman’s episode, “The Doctor’s Wife,” the edge due to Gaiman’s popularity among Hugo voters. I suppose Chris Garcia’s Hugo acceptance speech was dramatic, and although it was certainly moving, it really does not deserve to be nominated. My choice, which I admit is a long shot, is the Community episode “Remedial Chaos Theory,” which is a clever and hilarious meditation on parallel world theory. My biggest disappointment was that The Fantastic Flying Books of Mr. Morris Lessmore, the Academy Award winning short film, was not nominated.

Summary

Overall, it looks like most of the nominations are deserved. With a record number of nominations (1101), one can assume that most of the nominees have a goodly amount of support and that frivolous entries are minimal. I am looking forward to reading, listening to, and viewing as many of the nominees as possible.

For Your Consideration: Hugo Award Graphic Story

The deadline for nominating works for the Hugo Awards is March 11, 2012. Members (as of January 31, 2012) of Renovation, Chicon 7, or LoneStarCon 3 are eligible to nominate. For the Graphic Story category, I have compiled a list of works that could be considered.

It is clear that Hugo readers are not avid comic book readers. There is little overlap of the Hugo nominees and any of the comics-related best-of lists and awards. The Hugo voters are going for fanish titles such as Girl Genius and Schlock Mercenary, along with obscure titles by fan-favorite writers such as Paul Cornell and Joss Whedon, and ignoring outstanding mainstream titles such as The Walking Dead, Locke & Key, Chew, 20th Century Boys, Return of the Dapper Men, and Irredeemable, to name a few. Yes, Y: The Last Man, Fables, and The Unwritten have been nominated, but there’s so much more good stuff not being recognized.

One of the troubles with this category is that much of what’s published is in a highly serialized form, with storylines sometimes extending over more than a year. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes don’t often represent entire, self-contained stories. How can one justify recognizing an incomplete story?

The comics world is producing more top-notch work than in any other Hugo category, yet only seven works made the 5% cutoff last year. Moreover, the Hugo voters have given the award to Girl Genius three years in a row. To his credit, Phil Foglio announced that he would not accept a nomination this year for Girl Genius. It remains to be seen whether this will be enough to convince this year’s Business Meeting to permanently ratify the Graphic Story category. As much of a comics fan as I am, if there is no greater diversity of nominees, I may have to support ending the category. Although the Hugo Award is a popularity contest, it should ideally represent a broad representation of the best of science fiction and fantasy.

The number of graphic stories that are published is staggering. I’ve tried to narrow down my list to titles that I’ve seen favorably reviewed. Nevertheless, I suspect I’ve missed worthy books. Most of the entries on the list are printed. I’m not a connoisseur of web comics, but I know there are some good ones being published. Even so, for a lot of web comics it’s hard to tell where stories start and stop and therefore what is eligible in a calendar year. Check with a site like Top Web Comics for a list of possibilities.

I’ve highlighted a few titles that have appeared on multiple best-of lists or that I have personal knowledge of being excellent. I challenge the Hugo nominators to think carefully about their choices and to not just fill in their ballots with last year’s nominees because you can’t think of anything else.

For your consideration:

Abominable Charles Christopher, Book One by Karl Kerschl

Amulet #4: The Last Council by Kazu Kibuishi

Angel: After the Fall, Vol. 4 by Joss Whedon and Brian Lynch

Anita Blake: Circus of the Damned: The Ingenue by Laurell K. Hamilton, Jessica Booth, and Ron Lim

Anya’s Ghost by Vera Brosgol

B.P.R.D.: Being Human by Mike Mignola, et al.

Batman & Robin, Vol. 2: Batman vs. Robin by Grant Morrison, et al.

Batman: Eye of the Beholder by Tony Daniel

Batman: Noel by Lee Bermejo

Batman: The Black Mirror by Scott Snyder, Jock, and Francesco Francavilla

The Bean, Vol. 1: Riddles & Shrooms by Travis Hanson

The Boys, Vol. 9: The Big Ride by Garth Ennis and Darick Robertson

Blood Work by Kim Harrison, Pedro Maia and Gemma Magno

Brightest Day by Geoff Johns, et al.

Buffy the Vampire Slayer Season Eight, Vol. 8: Last Gleaming by Joss Whedon, Scott Allie, and Georges Jeanty

Captain America: Man Out of Time by Mark Waid and Jorge Molina

Captain Swing, Vol. 1 by Warren Ellis and Raulo Caceres

Casanova, Vol. 1: Luxuria by Matt Fraction and Gabriel Bá

Chew, Vol. 4: Flambe by John Layman and Rob Guillory

The Clockwork Girl by Sean O’Reilly

Cowboys and Aliens by Scott Mitchell Rosenberg

The Dark-Hunters, Vol. 4 by Sherrilyn Kenyon

Daybreak by Brian Ralph

Daytripper by Gabriel Bá and Fábio Moon

Deadpool MAX : Involuntary Armageddon by David Lapham, Kyle Baker, and Shawn Crystal

Do Androids Dream of Electric Sheep? Vol. 6 by Philip K. Dick and Tony Parker

Echo, Vol. 6: The Last Day by Terry Moore

Fables, Vol. 16: Super Team by Bill Willingham and Mark Buckingham

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Fantastic Four, Vol. 4 by Jonathan Hickman, Steve Epting, Nick Dragotta, and Mark Brooks

5 Ronin by Peter Milligan, et al.

Flashpoint by Geoff Johns and Andy Kubert

Flight of Angels by Rebecca Guay

Freeway by Mark Kalesniko

Fullmetal Alchemist, Vol. 27 by Hiromu Arakawa

George R. R. Martin’s Doorways by Stefano Martino and George R. R. Martin

Green Lantern: War of the Green Lanterns by Geoff Johns, et al.

Green Woman by Peter Straub, Michael Easton, and John Bolton

The Griff: A Graphic Novel by Christopher Moore and Ian Corson

The Gunslinger – The Battle of Tull by Stephen King, Peter David, and Michael Lark

The Gunslinger – The Little Sisters of Eluria by Stephen King, Peter David, Robin Furth, Luke Ross, and Richard Isanove

Habibi by Craig Thompson

Harbor Moon by Ryan Colucci, Dikran Ornekian, and Pawel Sambor

Hellboy: House of the Living Dead by Mike Mignola and Richard Corben

I Will Bite You! by Joseph Lambert

Irredeemable, Vol. 7 by Mark Waid and Peter Krause

iZombie, Vol. 2: uVampire by Chris Roberson and Michael Allred

Jericho Season 3 by Alejandro F. Giraldo

Jim Butcher’s Dresden Files: Fool Moon by Chase Conley, Jim Butcher, and Mark Powers

Joe the Barbarian, by Grant Morrison and Sean Murphy

Kill Shakespeare, Vol. 2 by Conor McCreery, Anthony Del Col, and Andy Belanger

The Last Dragon by Jane Yolen and Rebecca Guay

Locke & Key: Keys to the Kingdom by Joe Hill and Gabriel Rodriguez

Mangaman by Barry Lyga and Colleen Doran

Marineman: A Matter of Life & Depth by Ian Churchill

Naoki Urasawa’s 20th Century Boys, Vol. 18 by Naoki Urasawa

Philip K. Dick’s Electric Ant by Philip K. Dick, David Mack, and Pascal Alixe

Phoenix Without Ashes by Harlan Ellison and Alan Robinson

Pinocchio by Winshluss

RASL: Romance at the Speed of Light by Jeff Smith

Ray Bradbury’s Something Wicked This Way Comes adapted by Ron Wimberly

7 Billion Needles, Vol. 4 by Nobuaki Tadano

Super Dinosaur, Vol. 1 by Robert Kirkman

Superboy, Vol. 1: Smallville Attacks by Jeff Lemire, Pier Gallo, and Marco Rudy

Superman: Secret Origin by Geoff Johns and Gary Frank

True Blood, Vol. 2: Tainted Love by Joe Corroney

Twilight: The Graphic Novel, Vol. 2 by Stephenie Meyer and Young Kim

Uncanny X-Force: The Dark Angel Saga, Book 1 by Rick Remender, Jerome Opena, Billy Tan, and Mark Brooks

The Unwritten, Vol. 4: Leviathan by Mike Carey and Peter Gross

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Vampire Academy by Leigh Dragoon and Emma Vieceli

The Walking Dead, Vol. 14, No Way Out by Robert Kirkman

The Walking Dead, Vol. 15, We Find Ourselves by Robert Kirkman

Warlord of Mars: Dejah Thoris, Vol. 1: The Colossus of Mars by Arvid Nelson and Carlos Rafael

Wonder Struck by Brian Selznick

The Wonderful Wizard of Oz by Eric Shanower and Skottie Young

Xombi by John Rozum and Fraser Irving