Tag Archives: John Carter

For Your Consideration: Hugo Award Dramatic Presentation, Long Form

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

The dividing line between Dramatic Presentation, Short Form and Dramatic Presentation, Long Form is 90 minutes running time, but may be adjusted slightly one way or another if a majority of nominators place a borderline work in the other category. A multi-part production can be nominated in the Long Form category.

There is an overwhelming chance that Game of Thrones, Season 2 will be nominated, just as Season 1 was last year (my advice is to not waste your nomination votes for individual episodes of Game of Thrones in the Short Form category, as they will be disqualified). Beyond that, it seems to me that the field is pretty much wide open. I think The Avengers, Looper, The Hunger Games, The Cabin in the Woods, and The Hobbit are the most likely to be nominated. But there are a number of other worthy works.

For your consideration:

  • The Amazing Spider-Man, Sony Pictures
  • Beasts of the Southern Wild, Fox Searchlight Picturesbrave
  • Brave, Pixar Animation Studios
  • The Cabin in the Woods, Lionsgate
  • Chronicle, Twentieth Century Fox
  • Cloud Atlas, Warner Bros. Pictures
  • The Dark Knight Rises, Warner Bros. Picturesfrankenweenie-poster
  • Frankenweenie, Walt Disney Studios
  • Game of Thrones, Season 2, HBO
  • The Hobbit: An Unexpected Journey, New Line Cinema
  • Hotel Transylvania, Sony Pictures Animation
  • The Hunger Games, Lionsgateiron_sky
  • Iron Sky, Entertainment One
  • John Carter, Walt Disney Pictures
  • Life of Pi, Twentieth Century Foxlooper
  • Looper, TriStar Pictures
  • Marvel’s The Avengers, Marvel Studios
  • Men in Black 3, Columbia Pictures
  • ParaNorman, LAIKA/Focus Features
  • The Pirates! Band of Misfits, Aardman Animations and Sony Pictures Animation
  • Prometheus, Twentieth Century Fox
  • The Rabbi’s Cat, GKIDS
  • Rise of the Guardians, DreamWorks Animationrobotandfrank
  • Robot & Frank, Samuel Goldwyn Films
  • Ruby Sparks, Fox Searchlight Pictures
  • Safety Not Guaranteed, FilmDistrict
  • The Secret World of Arrietty, Studio Ghibli
  • Seeking a Friend for the End of the World, Focus Features
  • Skyfall, Metro-Goldwyn-Mayer (MGM)
  • Snow White and the Huntsman, Universal Pictures
  • Ted, Universal Pictures
  • The Woman in Black, CBS Films
  • Wreck-It Ralph, Walt Disney Animation Studios
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John Carter

John Carter (2012) (IMAX 3D)
Screenplay by Andrew Stanton & Mark Andrews and Michael Chabon, based on the Mars series by Edgar Rice Burroughs; directed by Andrew Stanton

Guest review by Tommy “Slug” Togath, age 13

My rating: 5 of 5 stars

After having recently read A Princess of Mars, I was expecting a pretty good action movie, but I was blown away by how awesome John Carter is! They changed a lot from the book, but kept the basic characters and situations. There were some new characters called Therns, which I understand come from the second book in the series, but I haven’t read yet. The movie is more logical than the book, and the story doesn’t jump around as much as the book. Taylor Kitsch as John Carter did a good job looking and acting like I imagined from the book.

I loved all the Martian characters, especially Woola, John Carter’s brave and loyal pet. He ran very fast and was able to help John Carter get out of a couple of jams. The six-limbed Tharks looked just like I imagined them. The other Martian animals looked and moved like I thought they should.

One of the best changes to the story was to make John Carter’s girlfriend Dejah Thoris (Lynn Collins) into a more important character. In the book she doesn’t really do much but get mad at John Carter all the time for not knowing her customs, even though she loves him. In the movie they made her a scientist and she also was almost as good as John Carter in fighting with a sword. There were a couple of funny scenes where she was able to protect him from enemies.

Another good change was to explain how John Carter traveled from the Earth to Mars. In the book he just mysteriously goes to sleep in a cave and wakes up on Mars. The movie’s explanation made sense and even helped add to the reason for the actions of the Therns.

I loved how the movie showed John Carter leaping long distances because of his Earth muscles. It was funny when he first arrived on Mars and had to learn how to move without hurting himself. There were lots of battles and fights, especially at the end of the movie, that were a lot of fun to watch because he was able to jump around his enemies.

In the book, a female Thark named Sarkoja (Polly Walker) is mean to John Carter and everyone else. In the movie she didn’t have a very big role, and her final fate was very different than in the book. The part where John Carter was captured in the city of Zodanga, then rescued by his friend Kantos Kan (James Purefoy), was shortened a lot from the book, so if you didn’t read the book you might have been a little confused.

Another change was how John Carter learned to speak the Martian language. In the book he spent weeks with the Thark children learning the language. In the movie Sola (Samantha Morton) gave him a potion that somehow let him understand and speak the language. I guess for a 2-hour movie they had to speed things up, but this was one area where the book was more believable than the movie.

I saw John Carter in IMAX 3D. The sound and music were excellent, but I don’t think the 3D was worth the extra ticket price.

John Carter is one of the best movies I’ve ever seen, and I can’t wait to see it again!

John Carter

John Carter (2012) (IMAX 3D)
Screenplay by Andrew Stanton & Mark Andrews and Michael Chabon, based on A Princess of Mars and The Gods of Mars by Edgar Rice Burroughs; directed by Andrew Stanton

My rating: 4.5 of 5 stars

John Carter combines elements from the first two books of Burroughs’ Mars series with a bunch of new material. It keeps the basic story of how Confederate officer John Carter (Taylor Kitsch), mining for gold in the Arizona territory after the Civil War, finds himself magically transported to Mars, known as Barsoom to its natives. One of the major improvements the film makes to the story is an explanation of exactly how Carter travels between Earth and Mars, which was never adequately explained in the books. In fact, this becomes a major plot point driving much of the action in the film.

Carter’s Earth muscles and anatomy enables him to leap great distances and do other feats of strength. These abilities help him escape the many fights and tight scrapes he gets into. The beings of Barsoom are roughly divided into two races: the six-limbed warrior Tharks led by Tars Tarkas (Willem Dafoe) and the red-skinned “humans” of Helium and Zodanga who are at war with each other.

Dejah Thoris (Lynn Collins), princess of Helium, has been betrothed to Sab Than (Dominic West) of Zodanga to end the war. However, Sab Than is being manipulated by Matai Shang (Mark Strong), and his shape-shifting, immortal race of Therns. These political machinations are consistent with what Burroughs wrote, although in a much different form. It provides consistent and plausible motivations for the characters. You do have to pay attention, though, or you’ll get lost in the details, but it is a good thing to have something besides mindless battles in a movie like this.

A huge improvement is that Dejah Thoris is a much more nuanced and important character, not just the damsel in distress she is in the books. Here she is not only a beautiful princess, but a renowned scientist and quite handy with a sword. Collins does an excellent job giving strength and dignity to her role.

The special effects are well done, as you would expect from a director who comes from an animation background. There were a couple of traveling matte shots that were slightly off, but for the most part all of the exotic Martians looked and moved realistically. We got to see not only Tharks, but white apes, banths, thoats, and Woola, John Carter’s faithful calot.

Some liberties were taken with Burroughs’ descriptions. For example, John Carter is described as having short hair, and in the movie he has long hair. Kitsch is well muscled, but no real person could ever be as musclebound as Frank Frazetta or other favorite Burroughs’ artists have portrayed him. The red Martians (as well as the Tharks) are oviparous (reproducing by laying eggs), yet Dejah has a belly button. These are really minor quibbles, though. The vast majority of changes, such as Carter’s motivation for not wanting to fight Apaches (or Tharks or Zodangans), are logical improvements.

If there is anything to gripe about, it is the first 20 minutes on Earth which are a little slow getting things set up for Carter’s journey to Mars. Those who have not read the books may also be a bit confused about the importance of the relationship of Sola (Samantha Morton) to Tars Tarkas, which is hastily revealed early in the film rather than dramatically at the end of A Princess of Mars. I also think that the 3D did not add much to the film.

The marketing campaign did not do justice to the film. This is an intelligent, action-packed adventure. Whether you are a Burroughs fan or just want to see an entertaining movie, go see it!

A Princess of Mars

A Princess of Mars by Edgar Rice Burroughs

Guest review by Tommy “Slug” Togath, age 13

My rating: 4 of 5 stars

A Princess of Mars was first published 100 years ago in 1912. I was expecting an old-fashioned story that would be kind of boring. But the reality was that it was exciting and I only had to look up 2 or 3 words I’ve never heard of.

This book is the basis for the upcoming movie, John Carter. John Carter is a former Confederate officer who goes to Arizona to mine for gold after the Civil War. When his partner is killed by Apaches, he narrowly escapes by hiding in a mysterious cave. He goes to sleep and wakes up on Mars, known as Barsoom to the natives. My biggest surprise was how John Carter got from Earth to Mars—no rockets or anything logical, so that kind of detracted from the realism. I know there’s really no life on Mars, and I could suspend my disbelief about that part, but it was hard to look past the mysterious travel between planets. Maybe the next book will address that more sensibly.

John Carter becomes friends with a Martian warrior named Tars Tarkas. Tars Tarkas is a Thark, with green skin, 6 limbs, and very tall. I liked Tars Tarkas a lot, but he really didn’t have much to do. A domesticated Martian pet named Woola becomes John Carter’s companion. I loved Woola because he was brave and loyal to John Carter, just like my dog is to me. John Carter falls in love with a Martian woman named Dejah Thoris. She looks just like an Earth woman, except she has red skin. Dejah Thoris is mostly just a “damsel in distress” and doesn’t do much in the story.

I liked John Carter because he was brave and smart. He had to fight a lot of Martians because he didn’t know their customs. But it turned out all right because the Martians are all warriors who live by the sword and they respect the greatest fighters. John Carter had a big advantage because his muscles were used to the higher gravity of Earth, so he could jump really far and get away from danger.

John Carter made many enemies. The one I liked the least was Sarkoja, a female Thark. She was mean to everybody. Tars Tarkas finally made her leave, but I don’t think we’ve seen the last of her.

I liked the scenes with fighting and battles. The opening scenes in Arizona with John Carter being chased by Apaches were very thrilling. I liked the part where John Carter was captured in the city of Zodanga, then rescued his friend Kantos Kan and escaped. Although I knew he would escape, it was still exciting to read about how he fought against long odds and was able to get away.

I was a little disappointed that the story seemed to jump around a lot—more like a series of connected short stories than a coherent novel. But the book held my interest and I would recommend it to my friends. I will definitely read the next book in the series, and I am more excited than ever to see the movie John Carter.

The Upcoming Year in Movies

2012 looks to be an amazing year for science fiction and animated movies. What will be the hits? Here are some of my predictions, but I’m sure there will be plenty of surprises in store.

January

Fullmetal Alchemist : The Sacred Star of Milos – This feature-length sequel to the hit anime series looks like it will take place somewhere in the middle of the Fullmetal Alchemist: Brotherhood storyline. The release is limited, but hopefully it will come to a theater near you. Click here for U.S. theater/Canadian theater listings in your area.

February

Chronicle – The movie dead zone of February starts with this story of high school students who gain superpowers. Go watch reruns of Heroes instead.

Journey 2: The Mysterious Island – The February movie wasteland continues with an inane adaptation that would make Jules Verne weep.

Star Wars Episode I — The Phantom Menace 3-D – will George Lucas ever stop tinkering with his movies? And nothing could add dimension to the flat characters of Episode I.

Ghost Rider: Spirit of Vengeance – a sequel nobody but Nicolas Cage demanded.

The Secret World of Arrietty – from Studio Ghibli, an adaptation co-written by Hayao Miyazaki (but, alas, not directed by him) of The Borrowers by Mary Norton. The trailer looks great; let’s hope the movie is, too.

Dr. Suess’ The Lorax – finally, an animated adaptation of a Dr. Seuss book that looks like it will be true to its source and actually be funny.

March

John Carter – a live action adaptation of Edgar Rice Burroughs’s Mars series by writer/director Andrew Stanton (WALL·E, Finding Nemo) starring a bunch of unknowns. With a screenplay co-written by Michael Chabon, I have high hopes that Stanton will bring his animation magic to this project, just as Brad Bird did with 2011’s Mission: Impossible – Ghost Protocol.

Mirror Mirror – the first of two retellings of the Snow White fairy tale, this one staring Julia Roberts and Sean Bean.

The Hunger Games – will this be a juggernaut franchise like Harry Potter or a flop like The Golden Compass? A lot is riding on this film, and all signs point to it coming through.

The Pirates! Band of Misfits – Peter Lord (Chicken Run) of Aardman Animations seemingly can do no wrong, and the trailer is hilarious. I have high expectations for this animated film.

Wrath of the Titans – Another underwhelming special-effects laden quest of Perseus doing the gods’ bidding.

April

Iron Sky – You had me at “Nazi lunar base.” This indie will premiere at the Berlin International Film Festival in April. Let’s hope it makes it to the U.S. soon thereafter.

Extracted – Sasha Roiz (Caprica, Warehouse 13, Grimm) stars as a brilliant engineer who invents a device that enables him to enter another’s mind. While testing it on a convict, he gets trapped and must race the clock to find a way out. Debuting at the Austin South by Southwest Festival, this indie could be one to watch for.

May

The Avengers – Joss Whedon’s take on the iconic Marvel team is the dream movie for comic book fans. I’m not a big fan of Whedon, and my concern is that he won’t be able to corral the egos of his large cast of stars, and the film will veer off into incomprehensibility. Nevertheless, this movie should deliver blockbuster numbers, no matter how good or bad it is.

Dark Shadows – Tim Burton and Johnny Depp team up once again to revive the 1960’s soap opera about Barnabas Collins and his wacky household of vampires and ghouls. I expect campy fun.

Men in Black 3 – another sequel nobody clamored for, but Will Smith will put butts in seats.

Dorothy of OZ – I saw a preview of this animated musical at San Diego Comic-Con last year, and it looked HORR! I! BLE! Why or why can’t someone just make a successful, straight adaptation of the marvelous source material?

Battleship – very loosely based on the popular board game (coming soon: Candy Land, I kid you not), the trailer is just a mess and a half—lots of explosions and women in bikinis. And it will make a ton of money.

June

Snow White and the Huntsman – the second Snow White adaptation; this one a bit edgier than the first.

Madagascar 3: Europe’s Most Wanted – I have to admit that the first two in the series were lighthearted fun, and I don’t expect them to deviate from the formula.

Prometheus – Ridley Scott’s triumphant return to science fiction as co-written by Lost’s Damon Lindelof, this will either be astounding or a big, fat mess. No one seems to know whether this is a prequel to Alien or whether it morphed into something else during filming, but the trailer definitely makes me want to see it.

Jack the Giant Killer – another fairy tale retold, this time “Jack and the Beanstalk” as directed by Bryan Singer.

Brave – Pixar’s big release of 2012, their first starring a female protagonist. The trailer looks amazing, and I expect this will be the animated feature to beat at next year’s Oscars.

Abraham Lincoln: Vampire Hunter – cheesy fun from producer Tim Burton.

G.I. Joe: Retaliation – stars Bruce Willis and Dwayne Johnson should ensure this will be better than the first G.I. Joe movie, but director Jon M. Chu’s background is from the music and dance world (most notably, the Step Up franchise), so it’s hard to imagine it will be much better.

July

The Amazing Spider-Man – July will be the battle of the titans: Spider-Man vs. Batman. This reboot of Spider-Man will hopefully reinvigorate the franchise, but I think it will be overshadowed by…

The Dark Knight Rises – Christopher Nolan’s final entry into the dark world of Batman. Will Nolan be able to pull off a tour de force without a force of nature like Heath Ledger? Most likely it will be an emphatic “yes.” Here is a clever mash-up trailer for the film using footage from Batman: The Animated Series:

Ice Age: Continental Drift – at least we get to laugh at Scrat try to rescue his acorn, regardless of the other dreck that may be in the movie.

August

Total Recall – this new Total Recall will supposedly stick close to the original Philip K. Dick short story “We Can Remember It For You Wholesale” it’s based on.

ParaNorman – this animated fantasy/horror/comedy from the makers of Coraline could be a sleeper hit.

September

Hotel Transylvania – Director Genndy Tartakovsky (The Powerpuff Girls, Samurai Jack) animates Adam Sandler as Dracula in this Sony Pictures Animation presentation.

Dredd – Karl Urban stars in a new take on the ultra-violent British comic book. Without Sylvester Stallone to muck it up, it might actually turn out ok. Lena Headey co-stars.

October

Frankenweenie – Tim Burton’s feature-length stop-motion remake of his infamous 1984 short. Will audiences flock to see a black-and-white animated film in 2012? The hip ones will.

November

Wreck-It Ralph – Disney Animation’s big film for 2012 features the voices of John C. Reilly, Jane Lynch, and Jack McBrayer in something to do with video game characters coming to life.

Rise of the Guardians – Dreamworks Animation brings together the voice talents of Hugh Jackman, Jude Law, Chris Pine, and Alec Baldwin in a story that has Santa, the Easter Bunny, the Tooth Fairy, the Sandman, and Jack Frost banding together to fight the Bogeyman.

December

The Hobbit: An Unexpected Journey – the one every fanboy has been waiting for—Peter Jackson’s long delayed adaptation of J.R.R. Tolkien’s beloved children’s book. My only question is whether it will remain true to its source material or whether it will be Lord of the Rings, Part 4. Either way, it should be awesome.

World War Z – based on Max Brooks’ tongue-in-cheek zombie book, this adaptation co-written by J. Michael Straczynski and staring Brad Pitt could be a surprise hit.

Unscheduled

Robot and Frank – A well-reviewed entry at the Sundance Film Festival starring Frank Langella as a burglar who teams up with a robot to commit his crimes. Co-starring James Marsden, Liv Tyler, and Susan Sarandon.

Upside Down – A man searches an alternate universe for a long-lost love from his youth. Stars Kirsten Dunst.

The Prodigies – Warner Bros. Pictures is planning to distribute this French animated superhero movie from 2011 sometime this year; my guess in limited release.