Tag Archives: Irredeemable

For Your Consideration: Hugo Award Graphic Story

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

One of the troubles with the Graphic Story category is that much of what’s published is in a highly serialized form, with storylines sometimes extending over more than a year. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes often don’t represent entire, self-contained stories.

In my opinion, the graphic story category remains the strongest overall category on the Hugo ballot. Choosing five nominees is an almost impossible task because there are so many good choices to pick from. Yet, the Hugo voters consistently nominate the same fanish works year after year. Come on, folks, there is more than Girl Genius and Schlock Mercenary. Much more.

The comics world is producing more top-notch work than in any other Hugo category, yet only seven works made the 5% cutoff last year (nine, if you count two works with 4.94% each). The number of graphic stories that are published is staggering, so I challenge the Hugo voters to think carefully about your choices and to not just fill in your ballots with last year’s nominees because you can’t think of anything else. Don’t be afraid to nominate superhero stories; these are some of the most exciting and relevant science fiction tales being published.

For your consideration:

  • The Abominable Charles Christopher, Karl Kerschl (http://karlkerschl.com)AdventureTime_v1
  • Adventure Time, Vol. 1, Ryan North, Shelli Paroline, Branden Lamb (BOOM! Studios)
  • American Vampire, Vol. 4, Scott Snyder, Rafael Albuquerque (Vertigo)
  • Aquaman, Vol. 1, Geoff Johns, Ivan Reis, Joe Prado (DC)
  • Batman: Earth One, Geoff Johns, Gary Frank (DC)batman-court-of-owls
  • Batman: The Court of Owls, Scott Snyder, Greg Capullo (DC)
  • The Battle of Blood and Ink: A Fable of the Flying City, Jared Axelrod, Steve Walker (Tor)
  • Battlepug, Mike Norton (http://www.battlepug.com)
  • Batwoman, Vol. 1, J.H. Williams III, W. Haden Blackman (DC)
  • Chew, Vol. 6: Space Cakes, John Layman, Rob Guillory (Image)
  • Cinderella: Fables are Forever, Chris Roberson, Shawn McManus (Vertigo)
  • Daredevil, Vol. 1, Mark Waid, Chris Samnee (Marvel)dial-h
  • Dial H, Vol. 1: Into You, China Miéville, Mateus Santolouco (DC)
  • Earth 2, Vol. 1, James Robinson, Nicola Scott (DC)
  • Fables, Vol. 17: Inherit the Wind, Bill Willingham, et al (Vertigo)
  • Frankenstein Alive, Alive!, Steve Niles, Bernie Wrightson (IDW)
  • Grandville Bete Noir, Bryan Talbot (Dark Horse)
  • Hawkeye, Vol. 1, Matt Fraction, David Aja, Javier Pulido (Marvel)irredeemable
  • Irredeemable, Vol. 10, Mark Waid, Diego Barreto (BOOM! Studios)
  • iZombie, Vol. 4: Repossessed, Chris Roberson, Mike Allred (DC)
  • Justice League, Vol. 1, Geoff Johns, Jim Lee (DC)
  • Lobster Johnson Vol. 2: The Burning Hand, Mike Mignola, John Arcudi, Scott Allie, Tonci Zonjic (Dark Horse)
  • Locke & Key: Clockworks, Joe Hill, Gabriel Rodriguez (IDW)manhattan-projects
  • The Manhattan Projects, Vol. 1, Jonathan Hickman, Nick Pitavro (Image)
  • Mind MGMT, Matt Kindt (Dark Horse)20thCenturyBoys22
  • Naoki Urasawa’s 20th Century Boys, Vol. 22, Naoki Urasawa (VIZ Media)
  • The New Deadwardians, Dan Abnett, I.N.J. Culbard (Vertigo)
  • Peter Panzerfaust, Vol. 1: The Great Escape, Kurtis Wiebe, Tyler Jenkins (Image)
  • Prophet, Vol. 1: Remission, SImon Roy, Farel Dalrymple, Giannis Milogiannis, Brandon Graham (Image)
  • Punk Rock Jesus, Sean Murphy (Vertigo)saga
  • Saga, Vol. 1, Brian K. Vaughn, Fiona Staples (Image)
  • Sailor Twain: Or: The Mermaid in the Hudson, Mark Siegel (First Second)
  • Saucer Country, Vol. 1: Run, Paul Cornell, Ryan Kelly (Vertigo)
  • The Strange Talent of Luther Strode, Vol. 1, Tradd Moore, Justin Jordan (Image)
  • Superman: Earth One, Vol. 2, J. Michael Straczynski, Shane Davis (DC)
  • The Underwater Welder, Jeff Lemire (Top Shelf)the-unwritten-6
  • The Unwritten, Volume 6: Tommy Taylor and the War of Words, Mike Carey, Peter Gross (Vertigo)
  • The Walking Dead, Vol. 16: A Larger World, Robert Kirkman, Charlie Allard (Image)
  • Wonder Woman, Vol. 1, Brian Azzarello, Tony Akins (DC)wrinkle-in-time-graphic-novel
  • A Wrinkle in Time, adapted by Hope Larson (Farrar, Straus and Giroux)
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Hugo Awards 2012: Best Graphic Story

In 1988, Nolacon II created a one-time special category, “Other Forms,” as a way to honor the graphic novel Watchmen by Alan Moore and Dave Gibbons. In subsequent years fans discussed whether there should be a permanent graphic novel category, but nothing happened until 2008. That year the organizers of Anticipation agreed to include a one-time, special Best Graphic Story category in 2009 in expectation that the 2009 Business Meeting would institute Best Graphic Story as an official category. This did indeed happen, and thus, Best Graphic Story became a new category in 2010. The award was ratified by the 2012 Business Meeting, making it permanent.

Best Graphic Story Nominations (344 ballots cast [compared to 287 ballots cast in 2011])
(The titles in bold are the ones I nominated.)

60 Schlock Mercenary: Force Multiplication written and illustrated by Howard Tayler, colors by Travis Walton (17.4%)
36 Fables Vol 15: Rose Red by Bill Willingham and Mark Buckingham (10.47%)
33 Digger by Ursula Vernon (9.59%)
28 The Unwritten (Volume 4): Leviathan created by Mike Carey and Peter Gross. Written by Mike Carey, illustrated by Peter Gross (8.14%)
26 Locke & Key Volume 4, Keys to the Kingdom written by Joe Hill, illustrated by Gabriel Rodriguez (7.55%)
———————————-
21 Finder: Voice by Carla Speed McNeil (6.10%)
20 Doorways by George R.R. Martin, illustrated by Stefano Martino (5.57%)
17 Fevre Dream by George R.R. Martin and Daniel Abraham, illustrated by Rafa Lopez; (4.94%)
17 Habibi by Craig Thompson (4.94%)
14 Gunnerkrigg Court Volume 3: Reason by Thomas Siddell (4.07%)
12 Freakangels Volume 5 by Warren Ellis and Paul Duffield (3.49%)
11 Anya`s Ghost by Vera Brosgol (3.20%)
10 Buffy the Vampire Slayer Season 8 by Joss Whedon (2.91%)
10 Knight and Squire by Bill Willingham, illustrated by Joao Ruas (2.91%)
10 Fables Volume 16: Super Team by Paul Cornell, illustrated by Jimmy Broxton (2.91%)

Best Graphic Story Final Ballot Results (1091 ballots [compared to 1263 ballots cast in 2011])

My Ranking

Title

Round 1

Round 2

Round 3

Round 4

Round 5

4

Digger (WINNER)

391

394

416

443

499

3

Fables Vol 15: Rose Red

193

194

222

295

361

6

Schlock Mercenary: Force Multiplication

181

182

189

208

1

Locke & Key Volume 4, Keys to the Kingdom

133

133

165

2

The Unwritten (Volume 4): Leviathan

109

109

5

No Award

84

No Award Tests:
• 685 ballots ranked Digger higher than No Award; 109 ballots ranked No Award higher than Digger – PASS
• ((1091-84)/1922 )*100 = 52% – PASS

The remaining places were then calculated to be:
2nd Place – Fables Vol 15: Rose Red
3rd Place – Locke & Key Volume 4, Keys to the Kingdom
4th Place – Schlock Mercenary: Force Multiplication
5th Place – The Unwritten (Volume 4): Leviathan
 
Analysis

Phil Foglio withdrew Girl Genius, the winner for the past three years, from consideration. Some griped that this simply meant that the second best graphic novel would be selected. My opinion is that Hugo voters are not particularly sophisticated about graphic novels and are sending essentially the same titles up for consideration again and again. Schlock Mercenary and Fables have been nominated every year, and this is the second year in a row for The Unwritten. Digger, a web-based comic with the same fanish sensibilities as Girl Genius, filled the void left by Girl Genius.

One of the troubles with this category is that much of what’s published is in a highly serialized form, with storylines often extending over several years. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes don’t often represent entire, self-contained stories. How can one justify recognizing an incomplete story?

The comics world is producing more top-notch work than in any other Hugo category, yet only seven titles made the 5% cutoff (interestingly, during the Business Meeting discussion about whether to ratify Graphic Story as a permanent category, the Hugo administrator stated that nine titles had made the cutoff—I guess they consider 4.94 to be close enough to 5 to count). It was great to see Carla Speed McNeil’s Eisner and L.A. Times Book Prize winner Finder getting attention (however, the storyline Voice was completed in 2008, so it’s unclear whether the printed volume in 2011 would have been eligible), but where were Atomic Robo, Battlepug, Chew, Daredevil, 20th Century Boys, American Vampire, Joe the Barbarian, The Walking Dead, and Irredeemable? Why weren’t Habibi and Anya’s Ghost ranked higher?

There were noticeably more nominating ballots cast this year than last year, but there was a sharp drop in the number of final ballots cast. Only a little more than half the total voters voted in this category. So, it seems this is not a hugely popular category.

Mini-Reviews

Digger by Ursula Vernon (Sofawolf Press)

I have to admit that I only got through about 100 pages of this 700+ page opus. What I did read was pretty good, but somewhat similar to things like Cerebus the Aardvark and Howard the Duck, pitting an anthropomorphic animal (in this case, a wombat) against human antagonists. Even though I am a big comic book fan, I had not heard of Digger before it was nominated. Looking back at Eisner Award records, I saw she was nominated in 2006 in the category Talent Deserving of Wider Recognition, but I am not a connoisseur of web-based comics, so it didn’t register in my memory. Digger certainly had the overwhelming support of the Hugo voters. It has the cute animal/fantasy vibe that Hugo voters seem to gravitate to. In her acceptance speech Ursula Vernon hinted that there was a huge twist ending, so I will make it a point to finish this massive story.

Fables Vol 15: Rose Red by Bill Willingham and Mark Buckingham (Vertigo)

Fables is one of the few cross-over favorites of the SF and comic book worlds. The first half of this trade edition was very good, chronicling the struggles of Snow White’s sister, Rose Red. The second half of the book was much less effective. It was not clear whether the intent of the voters was to honor just the Rose Red portion, or the entire volume. Nevertheless, the best of Fables is in its early years, and it seems momentum is keeping it on the ballot when perhaps other works are more deserving.

Locke & Key Volume 4, Keys to the Kingdom by Joe Hill, illustrated by Gabriel Rodriguez (IDW)

Locke & Key is a marvelous horror story, about a single mother and her children coping with life in a haunted house. The story is chilling without being too graphic. It’s hard to justify voting for a single, open-ended volume, but for me, Locke & Key is too good not to vote for, and I’m not even a big horror fan.

Schlock Mercenary: Force Multiplication written and illustrated by Howard Tayler, colors by Travis Walton (The Tayler Corporation)

I just don’t get Schlock Mercenary, a space opera gag strip that’s a clear parody of Star Trek. Its fans are certainly motivated: it garnered significantly more nominations than anything else. It has the cutesy artwork that Hugo voters like, but I think it’s just occasionally amusing and without much substance. What am I missing?

The Unwritten (Volume 4): Leviathan created by Mike Carey and Peter Gross. Written by Mike Carey, illustrated by Peter Gross (Vertigo)

I don’t understand why The Unwritten doesn’t get more Hugo love. It’s all about great literature, with lots of magic and adventure. Perhaps casual readers think it’s too much of a Harry Potter pastiche, but it is far from that. This particular volume did suffer from being a middle chapter in a longer work, with no clear resolution.  I thought the previous volume, Dead Man’s Knock, was a better representation of the series and was more self-contained.

For Your Consideration: Hugo Award Graphic Story

The deadline for nominating works for the Hugo Awards is March 11, 2012. Members (as of January 31, 2012) of Renovation, Chicon 7, or LoneStarCon 3 are eligible to nominate. For the Graphic Story category, I have compiled a list of works that could be considered.

It is clear that Hugo readers are not avid comic book readers. There is little overlap of the Hugo nominees and any of the comics-related best-of lists and awards. The Hugo voters are going for fanish titles such as Girl Genius and Schlock Mercenary, along with obscure titles by fan-favorite writers such as Paul Cornell and Joss Whedon, and ignoring outstanding mainstream titles such as The Walking Dead, Locke & Key, Chew, 20th Century Boys, Return of the Dapper Men, and Irredeemable, to name a few. Yes, Y: The Last Man, Fables, and The Unwritten have been nominated, but there’s so much more good stuff not being recognized.

One of the troubles with this category is that much of what’s published is in a highly serialized form, with storylines sometimes extending over more than a year. Publishers typically gather six to ten issues into trade editions, and these are what get nominated. But in reality, these volumes don’t often represent entire, self-contained stories. How can one justify recognizing an incomplete story?

The comics world is producing more top-notch work than in any other Hugo category, yet only seven works made the 5% cutoff last year. Moreover, the Hugo voters have given the award to Girl Genius three years in a row. To his credit, Phil Foglio announced that he would not accept a nomination this year for Girl Genius. It remains to be seen whether this will be enough to convince this year’s Business Meeting to permanently ratify the Graphic Story category. As much of a comics fan as I am, if there is no greater diversity of nominees, I may have to support ending the category. Although the Hugo Award is a popularity contest, it should ideally represent a broad representation of the best of science fiction and fantasy.

The number of graphic stories that are published is staggering. I’ve tried to narrow down my list to titles that I’ve seen favorably reviewed. Nevertheless, I suspect I’ve missed worthy books. Most of the entries on the list are printed. I’m not a connoisseur of web comics, but I know there are some good ones being published. Even so, for a lot of web comics it’s hard to tell where stories start and stop and therefore what is eligible in a calendar year. Check with a site like Top Web Comics for a list of possibilities.

I’ve highlighted a few titles that have appeared on multiple best-of lists or that I have personal knowledge of being excellent. I challenge the Hugo nominators to think carefully about their choices and to not just fill in their ballots with last year’s nominees because you can’t think of anything else.

For your consideration:

Abominable Charles Christopher, Book One by Karl Kerschl

Amulet #4: The Last Council by Kazu Kibuishi

Angel: After the Fall, Vol. 4 by Joss Whedon and Brian Lynch

Anita Blake: Circus of the Damned: The Ingenue by Laurell K. Hamilton, Jessica Booth, and Ron Lim

Anya’s Ghost by Vera Brosgol

B.P.R.D.: Being Human by Mike Mignola, et al.

Batman & Robin, Vol. 2: Batman vs. Robin by Grant Morrison, et al.

Batman: Eye of the Beholder by Tony Daniel

Batman: Noel by Lee Bermejo

Batman: The Black Mirror by Scott Snyder, Jock, and Francesco Francavilla

The Bean, Vol. 1: Riddles & Shrooms by Travis Hanson

The Boys, Vol. 9: The Big Ride by Garth Ennis and Darick Robertson

Blood Work by Kim Harrison, Pedro Maia and Gemma Magno

Brightest Day by Geoff Johns, et al.

Buffy the Vampire Slayer Season Eight, Vol. 8: Last Gleaming by Joss Whedon, Scott Allie, and Georges Jeanty

Captain America: Man Out of Time by Mark Waid and Jorge Molina

Captain Swing, Vol. 1 by Warren Ellis and Raulo Caceres

Casanova, Vol. 1: Luxuria by Matt Fraction and Gabriel Bá

Chew, Vol. 4: Flambe by John Layman and Rob Guillory

The Clockwork Girl by Sean O’Reilly

Cowboys and Aliens by Scott Mitchell Rosenberg

The Dark-Hunters, Vol. 4 by Sherrilyn Kenyon

Daybreak by Brian Ralph

Daytripper by Gabriel Bá and Fábio Moon

Deadpool MAX : Involuntary Armageddon by David Lapham, Kyle Baker, and Shawn Crystal

Do Androids Dream of Electric Sheep? Vol. 6 by Philip K. Dick and Tony Parker

Echo, Vol. 6: The Last Day by Terry Moore

Fables, Vol. 16: Super Team by Bill Willingham and Mark Buckingham

xx

Fantastic Four, Vol. 4 by Jonathan Hickman, Steve Epting, Nick Dragotta, and Mark Brooks

5 Ronin by Peter Milligan, et al.

Flashpoint by Geoff Johns and Andy Kubert

Flight of Angels by Rebecca Guay

Freeway by Mark Kalesniko

Fullmetal Alchemist, Vol. 27 by Hiromu Arakawa

George R. R. Martin’s Doorways by Stefano Martino and George R. R. Martin

Green Lantern: War of the Green Lanterns by Geoff Johns, et al.

Green Woman by Peter Straub, Michael Easton, and John Bolton

The Griff: A Graphic Novel by Christopher Moore and Ian Corson

The Gunslinger – The Battle of Tull by Stephen King, Peter David, and Michael Lark

The Gunslinger – The Little Sisters of Eluria by Stephen King, Peter David, Robin Furth, Luke Ross, and Richard Isanove

Habibi by Craig Thompson

Harbor Moon by Ryan Colucci, Dikran Ornekian, and Pawel Sambor

Hellboy: House of the Living Dead by Mike Mignola and Richard Corben

I Will Bite You! by Joseph Lambert

Irredeemable, Vol. 7 by Mark Waid and Peter Krause

iZombie, Vol. 2: uVampire by Chris Roberson and Michael Allred

Jericho Season 3 by Alejandro F. Giraldo

Jim Butcher’s Dresden Files: Fool Moon by Chase Conley, Jim Butcher, and Mark Powers

Joe the Barbarian, by Grant Morrison and Sean Murphy

Kill Shakespeare, Vol. 2 by Conor McCreery, Anthony Del Col, and Andy Belanger

The Last Dragon by Jane Yolen and Rebecca Guay

Locke & Key: Keys to the Kingdom by Joe Hill and Gabriel Rodriguez

Mangaman by Barry Lyga and Colleen Doran

Marineman: A Matter of Life & Depth by Ian Churchill

Naoki Urasawa’s 20th Century Boys, Vol. 18 by Naoki Urasawa

Philip K. Dick’s Electric Ant by Philip K. Dick, David Mack, and Pascal Alixe

Phoenix Without Ashes by Harlan Ellison and Alan Robinson

Pinocchio by Winshluss

RASL: Romance at the Speed of Light by Jeff Smith

Ray Bradbury’s Something Wicked This Way Comes adapted by Ron Wimberly

7 Billion Needles, Vol. 4 by Nobuaki Tadano

Super Dinosaur, Vol. 1 by Robert Kirkman

Superboy, Vol. 1: Smallville Attacks by Jeff Lemire, Pier Gallo, and Marco Rudy

Superman: Secret Origin by Geoff Johns and Gary Frank

True Blood, Vol. 2: Tainted Love by Joe Corroney

Twilight: The Graphic Novel, Vol. 2 by Stephenie Meyer and Young Kim

Uncanny X-Force: The Dark Angel Saga, Book 1 by Rick Remender, Jerome Opena, Billy Tan, and Mark Brooks

The Unwritten, Vol. 4: Leviathan by Mike Carey and Peter Gross

xx

Vampire Academy by Leigh Dragoon and Emma Vieceli

The Walking Dead, Vol. 14, No Way Out by Robert Kirkman

The Walking Dead, Vol. 15, We Find Ourselves by Robert Kirkman

Warlord of Mars: Dejah Thoris, Vol. 1: The Colossus of Mars by Arvid Nelson and Carlos Rafael

Wonder Struck by Brian Selznick

The Wonderful Wizard of Oz by Eric Shanower and Skottie Young

Xombi by John Rozum and Fraser Irving