Tag Archives: TV

Hugo Award Finalists, 2013 – First Impressions

2312As always, the finalists for the Hugo Awards and John W. Campbell Award for Best New Writer are an interesting lot with a few surprises and a number of disappointments. The 1343 valid nominating ballots represent a record number, more than 20% above last year’s previous record. The winners will be announced Sunday, September 1, 2013, during the Hugo Awards Ceremony at LoneStarCon 3 in San Antonio, Texas.

As usual, I am looking forward to my yearly journey through the contemporary science fiction world, even if the Hugo Award itself is becoming more of a popularity contest among fan personalities than ever before. Here are my initial thoughts about the nominees.

Best Novel (1113 ballots)

2312 by Kim Stanley Robinson (Orbit)
Blackout by Mira Grant (Orbit)
Captain Vorpatril’s Alliance by Lois McMaster Bujold (Baen)
Redshirts: A Novel with Three Codas by John Scalzi (Tor)
Throne of the Crescent Moon by Saladin Ahmed (DAW)

2312 appeared on almost every best-of list and should be the odds-on favorite to win. Saladin Ahmed’s first novel, Throne of the Crescent Moon, also received widespread accolades. John Scalzi’s Redshirts received some praise, but my guess, not having read it yet, is that readers liked its lighthearted premise of what it’s like to be a Star Trek crewmember more than its actual literary merits. Scalzi is also a popular fan personality, which helps his visibility. Lois McMaster Bujold is another fan favorite, having been nominated many, many times. My opinion is that her books are solid mid-list action-adventure tales, but mostly just comfort food for fans who relate well to her protagonist who overcomes major physical disabilities to become a badass soldier and politician. Blackout, by Seanan McGuire writing as Mira Grant, was on zero best-of lists and no other award short lists (at least, that I saw). But McGuire is a hugely popular blogger and podcaster whose celebrity within the fan community gives her a disproportionate advantage. The more of McGuire’s work I read, the less impressed I am. This is all the more disappointing because well-reviewed books such as Intrusion by Ken MacLeod, Jack Glass by Adam Roberts, The Killing Moon by N. K. Jemisin, The Drowning Girl by Caitlín R. Kiernan, and Glamour in Glass by Mary Robinette Kowal, among others, were ignored.

Asimovs_Oct-Nov_2012Best Novella (587 ballots)

After the Fall, Before the Fall, During the Fall by Nancy Kress (Tachyon Publications)
The Emperor’s Soul by Brandon Sanderson (Tachyon Publications)
On a Red Station, Drifting by Aliette de Bodard (Immersion Press)
San Diego 2014: The Last Stand of the California Browncoats by Mira Grant (Orbit)
“The Stars Do Not Lie” by Jay Lake (Asimov’s, Oct-Nov 2012)

After the Fall, Before the Fall, During the Fall; On a Red Station, Drifting; and “The Stars Do Not Lie” were all well reviewed and all are on the Nebula ballot. Neither The Emperor’s Soul nor San Diego 2014: The Last Stand of the California Browncoats appeared on any best-of or award lists that I saw. Here again, Sanderson’s and Grant’s fan popularity rather than the merits of their stories likely put them on the final ballot. The title of Grant’s story indicates it may be little more than fan fiction related to Joss Whedon’s hugely popular SF franchise, Firefly.

Best Novelette (616 ballots)

“The Boy Who Cast No Shadow” by Thomas Olde Heuvelt (Postscripts: Unfit For Eden, PS Publications)
“Fade To White” by Catherynne M. Valente (Clarkesworld, August 2012)
“The Girl-Thing Who Went Out for Sushi” by Pat Cadigan (Edge of Infinity, Solaris)
“In Sea-Salt Tears” by Seanan McGuire (Self-published)
“Rat-Catcher” by Seanan McGuire (A Fantasy Medley 2, Subterranean)

The love-fest for Seanan McGuire continues, incredulously including a self-published story. I’m not familiar with the other novelettes, so I am hoping that they will be decent. Certainly, Valente and Cadigan have produced top-notch work in the past.

Best Short Story (662 ballots)

“Immersion” by Aliette de Bodard (Clarkesworld, June 2012)
“Mantis Wives” by Kij Johnson (Clarkesworld, August 2012)
“Mono no Aware” by Ken Liu (The Future is Japanese, VIZ Media LLC)

All these stories undoubtedly deserve to be on the ballot. The sad news is that there are only three nominees because no other works received the minimum 5% of the votes required by the World Science Fiction Society constitution. I suspect this is due to a large number of good short stories that spread votes wide and thin.

Best Related Work (584 ballots)

The Cambridge Companion to Fantasy Literature Edited by Edward James & Farah Mendlesohn (Cambridge UP)
Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them Edited by Lynne M. Thomas & Sigrid Ellis (Mad Norwegian Press)
Chicks Unravel Time: Women Journey Through Every Season of Doctor Who Edited by Deborah Stanish & L.M. Myles (Mad Norwegian Press)
I Have an Idea for a Book… The Bibliography of Martin H. Greenberg Compiled by Martin H. Greenberg, edited by John Helfers (The Battered Silicon Dispatch Box)
Writing Excuses Season Seven by Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler and Jordan Sanderson

This is a hard category to say much about. The variety of potential works is vast, so almost anything can appear. Farah Mendlesohn has produced a number of well received scholarly works in the past few years, so I expect The Cambridge Companion to Fantasy Literatures deserves its place on the final ballot. Previous volumes of Writing Excuses were pretty informative, so I’m not surprised to see it nominated again. I have no idea what Chicks Dig Comics or Chicks Unravel Time are, but from the titles they must be part of a female-centric critical series. Martin H. Greenberg’s book sounds like little more than a list, so I’m not sure what value it has, other than to honor one of the great anthologists of all time. I’m a little surprised there are no art books on the final ballot.

sagaBest Graphic Story (427 ballots)

Grandville Bête Noire written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
Locke & Key Volume 5: Clockworks written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
Saga, Volume One written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
Schlock Mercenary: Random Access Memorabilia by Howard Tayler, colors by Travis Walton (Hypernode Media)
Saucer Country, Volume 1: Run written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)

I’m actually pleasantly surprised by how good the selections are for this category, with the exception of Schlock Mercenary, a lightweight gag comic. It is a travesty that it is on the list and Batman: The Court of Owls is not. The voters have no trouble putting superhero stories in the Dramatic Presentation category, but for some reason resist them in their natural home, the Graphic Story category.

looperBest Dramatic Presentation (Long Form) (787 ballots)

The Avengers Screenplay & Directed by Joss Whedon (Marvel Studios, Disney, Paramount)
The Cabin in the Woods Screenplay by Drew Goddard & Joss Whedon; Directed by Drew Goddard (Mutant Enemy, Lionsgate)
The Hobbit: An Unexpected Journey Screenplay by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro, Directed by Peter Jackson (WingNut Films, New Line Cinema, MGM, Warner Bros)
The Hunger Games Screenplay by Gary Ross & Suzanne Collins, Directed by Gary Ross (Lionsgate, Color Force)
Looper Screenplay and Directed by Rian Johnson (FilmDistrict, EndGame Entertainment)

There are no surprises here, other than not seeing Game of Thrones, Season 2.

Best Dramatic Presentation (Short Form) (597 ballots)

Doctor Who:“The Angels Take Manhattan” Written by Steven Moffat, Directed by Nick Hurran (BBC Wales)
Doctor Who:“Asylum of the Daleks” Written by Steven Moffat; Directed by Nick Hurran (BBC Wales)
Doctor Who:“The Snowmen” Written by Steven Moffat, Directed by Saul Metzstein (BBC Wales)
Fringe:“Letters of Transit” Written by J.J. Abrams, Alex Kurtzman, Roberto Orci, Akiva Goldsman, J.H.Wyman, Jeff Pinkner. Directed by Joe Chappelle (Fox)
Game of Thrones:“Blackwater” Written by George R.R. Martin, Directed by Neil Marshall. Created by David Benioff and D.B. Weiss (HBO)

As I predicted, there are the usual three episodes of Doctor Who and two other sacrificial lambs. My only question is why a single episode of Game of Thrones is nominated. As established last year, Game of Thrones should be considered as one ten-part presentation. Nominating a single episode is like nominating a single chapter from a book. In any case, it doesn’t matter, since it’s a foregone conclusion that Doctor Who will win.

Best Editor – Short Form (526 ballots)

John Joseph Adams
Neil Clarke
Stanley Schmidt
Jonathan Strahan
Sheila Williams

The usual suspects are nominated once again. My hope is that the retiring Stanley Schmidt will finally receive his due.

Best Editor – Long Form (408 ballots)

Lou Anders
Sheila Gilbert
Liz Gorinsky
Patrick Nielsen Hayden
Toni Weisskopf

This is a category that very few people are really interested in. I certainly am not.

Julie-DillonBest Professional Artist (519 ballots)

Vincent Chong
Julie Dillon
Dan Dos Santos
Chris McGrath
John Picacio

A mixture of some old favorites along with some new faces. There are so many good professional artists that it is hard to pick a slate of nominees without offending some really deserving candidates. And picking a clear winner is nearly impossible.

Best Semiprozine (404 ballots)

Apex Magazine edited by Lynne M. Thomas, Jason Sizemore and Michael Damian Thomas
Beneath Ceaseless Skies edited by Scott H. Andrews
Clarkesworld edited by Neil Clarke, Jason Heller, Sean Wallace and Kate Baker
Lightspeed edited by John Joseph Adams and Stefan Rudnicki
Strange Horizons edited by Niall Harrison, Jed Hartman, Brit Mandelo, An Owomoyela, Julia Rios, Abigail Nussbaum, Sonya Taaffe, Dave Nagdeman and Rebecca Cross

It baffles me why this category should exist at all. Either you’re a professional magazine or you’re not. This wishy-washy half-measure should be abolished. For example, Clarkesworld published three Hugo nominees this year compared to one for Asimov’s and zero for Analog and F&SF. If that’s not a professional magazine, I don’t know what is.

Best Fanzine (370 ballots)

Banana Wings edited by Claire Brialey and Mark Plummer
The Drink Tank edited by Chris Garcia and James Bacon
Elitist Book Reviews edited by Steven Diamond
Journey Planet edited by James Bacon, Chris Garcia, Emma J. King, Helen J. Montgomery and Pete Young
SF Signal edited by John DeNardo, JP Frantz, and Patrick Hester

The Hugo voters inexplicably changed the eligibility rules this year to exclude virtually all online fanzines. Why supposedly forward-looking science fiction fans chose to regress to only printed periodicals is a mystery.

Best Fancast (346 ballots)

The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
SF Signal Podcast, Patrick Hester, John DeNardo, and JP Frantz
SF Squeecast, Elizabeth Bear, Paul Cornell, Seanan McGuire, Lynne M. Thomas, Catherynne M. Valente (Presenters) and David McHone-Chase (Technical Producer)
StarShipSofa, Tony C. Smith

Although the Hugo voters have excluded online fanzines, they have embraced podcasts. However, the same titles appear year after year, and frankly, I have not been impressed with any of them. Episodes of news and opinion shows are almost always too long and often lack organization. StarShipSofa’s selection of audio stories is underwhelming. I’m still looking for a SF podcast with value-added information that’s worth my time. I suspect others feel the same way, since this category had the second-lowest number of nominating ballots.

Best Fan Writer (485 ballots)

James Bacon
Christopher J Garcia
Mark Oshiro
Tansy Rayner Roberts
Steven H Silver

Mostly the same names we see every year in the mutual-admiration society known as fandom.

Best Fan Artist (293 ballots)

Galen Dara
Brad W. Foster
Spring Schoenhuth
Maurine Starkey
Steve Stiles

Here’s another list of mostly familiar names. At least professional artist Randall Munroe did not make the final ballot this year.

John W. Campbell Award for Best New Writer (476 ballots)

Award for the best new professional science fiction or fantasy writer of 2011 or 2012, sponsored by Dell Magazines (not a Hugo Award).

Zen Cho *
Max Gladstone
Mur Lafferty *
Stina Leicht *
Chuck Wendig *

* Finalists in their 2nd year of eligibility.

Mur Lafferty and Stina Leicht were both nominated last year, so I expect one of them will win this year. I am completely unfamiliar with the other three nominees.

For Your Consideration: Hugo Award Related Work

Episodes of Prophets of Science Fiction produced and hosted by Ridley Scott and broadcast on the Science Channel are well worth considering. This documentary series looked at the lives and predictions of notable science fiction creators. In 2012, there were good episodes about Robert Heinlein, Jules Verne, and Isaac Asimov.Prophets_of_Science_Fiction_poster

Another suggestion is The Annotated Sandman, Vol. 1 by Leslie S. Klinger (Vertigo), a scholarly look at Neil Gaiman’s classic comic book series.sandman_annotated

For Your Consideration: Hugo Award Dramatic Presentation, Long Form

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

The dividing line between Dramatic Presentation, Short Form and Dramatic Presentation, Long Form is 90 minutes running time, but may be adjusted slightly one way or another if a majority of nominators place a borderline work in the other category. A multi-part production can be nominated in the Long Form category.

There is an overwhelming chance that Game of Thrones, Season 2 will be nominated, just as Season 1 was last year (my advice is to not waste your nomination votes for individual episodes of Game of Thrones in the Short Form category, as they will be disqualified). Beyond that, it seems to me that the field is pretty much wide open. I think The Avengers, Looper, The Hunger Games, The Cabin in the Woods, and The Hobbit are the most likely to be nominated. But there are a number of other worthy works.

For your consideration:

  • The Amazing Spider-Man, Sony Pictures
  • Beasts of the Southern Wild, Fox Searchlight Picturesbrave
  • Brave, Pixar Animation Studios
  • The Cabin in the Woods, Lionsgate
  • Chronicle, Twentieth Century Fox
  • Cloud Atlas, Warner Bros. Pictures
  • The Dark Knight Rises, Warner Bros. Picturesfrankenweenie-poster
  • Frankenweenie, Walt Disney Studios
  • Game of Thrones, Season 2, HBO
  • The Hobbit: An Unexpected Journey, New Line Cinema
  • Hotel Transylvania, Sony Pictures Animation
  • The Hunger Games, Lionsgateiron_sky
  • Iron Sky, Entertainment One
  • John Carter, Walt Disney Pictures
  • Life of Pi, Twentieth Century Foxlooper
  • Looper, TriStar Pictures
  • Marvel’s The Avengers, Marvel Studios
  • Men in Black 3, Columbia Pictures
  • ParaNorman, LAIKA/Focus Features
  • The Pirates! Band of Misfits, Aardman Animations and Sony Pictures Animation
  • Prometheus, Twentieth Century Fox
  • The Rabbi’s Cat, GKIDS
  • Rise of the Guardians, DreamWorks Animationrobotandfrank
  • Robot & Frank, Samuel Goldwyn Films
  • Ruby Sparks, Fox Searchlight Pictures
  • Safety Not Guaranteed, FilmDistrict
  • The Secret World of Arrietty, Studio Ghibli
  • Seeking a Friend for the End of the World, Focus Features
  • Skyfall, Metro-Goldwyn-Mayer (MGM)
  • Snow White and the Huntsman, Universal Pictures
  • Ted, Universal Pictures
  • The Woman in Black, CBS Films
  • Wreck-It Ralph, Walt Disney Animation Studios

For Your Consideration: Hugo Award Dramatic Presentation, Short Form

The deadline for nominating works for the Hugo Awards is March 10, 2013. Members (as of January 31, 2013) of Chicon 7, LoneStarCon 3, or Loncon 3 are eligible to nominate.

It’s pretty much a given that at least three episodes of Doctor Who will be nominated, and that one of those will win. While Doctor Who is certainly an outstanding series, there are a multitude of other science fiction and fantasy TV shows, as well as a few theatrical shorts and Internet productions that are worthy of consideration.

A multi-part production such as Game of Thrones, Season 2 will undoubtedly be nominated in the Long Form category as Season 1 was last year. So my advice is to not waste your nomination votes in the Short Form category for individual episodes, as they will be disqualified.

For the Dramatic Presentation, Short Form category, I have compiled a list of productions that are eligible to be nominated this year. It is a long list, and undoubtedly not comprehensive. I’ve listed the titles of individual episodes because the Hugo rules require individual episodes to be nominated. The dividing line between Short Form and Long Form is 90 minutes running time, but may be adjusted slightly one way or another if a majority of nominators place a borderline work in the other category.

For your consideration:jakethedog

  • “Jake the Dog”, Adventure Time
  • “Prehistoric Peril!”, The Adventures of the League of S.T.E.A.M.
  • “Tommy Madsen”, Alcatraz
  • “God’s Eye”, Alphas
  • “I Am Anne Frank”, Parts 1 and 2, American Horror Story: AsylumArcher Space Race
  • “Space Race”, Parts 1 and 2, Archer
  • “Betrayal”, Arrow
  • “Secret Invasion”, The Avengers: Earth’s Mightiest HeroesAWAKE
  • “Say Hello to My Little Friend”, Awake
  • “Blood & Chrome”, Battlestar Galactica
  • “Bridesmaid Up!”, Beauty and the Beast
  • “Trust”, Before Orel
  • “The War Child”, Being Human
  • “The Ultimate Enemy”, Parts 1 and 2, Ben 10: Ultimate Alien
  • “Time Slime”, Bravest Warriors
  • “The Final Frontier”, Castle
  • “Digital Estate Planning”, Community
  • “End Times”, Continuumdarkknightreturnspart1
  • Batman: The Dark Knight Returns, Part 1, DC Entertainment
  • Justice League: Doom, DC Entertainment
  • Superman vs. The Elite, DC Entertainment
  • “The Angels Take Manhattan”, Doctor Who
  • “When Lightning Strikes”, Dragons: Riders of Berk
  • “Just Another Day”, Eureka
  • “A More Perfect Union”, Falling Skies
  • “Yug Ylimaf”, Family GuyFringe
  • “Letters of Transit”, Fringe
  • “The Bots and the Bees”, Futurama
  • Maggie Simpson in “The Longest Daycare”, Gracie Films
  • “Homecoming”, Green Lantern: The Animated Series
  • “Season of the Hexenbiest”, Grimm
  • “Thanks for the Memories”, HavenIron-Man
  • “Control-Alt-Delete”, Iron Man: Armored Adventures
  • “Cinderella Liberty”, Last Resort
  • “Endgame”, The Legend of Korra
  • “Midnight Lamp”, Lost Girlmerlin
  • “The Diamond of the Day”, Parts 1 and 2, Merlin
  • Episode #4.3, Misfits
  • Head over Heels, National Film and Television School (NFTS)
  • Mockingbird Lane, NBC
  • “Queen of Hearts”, Once Upon a Time
  • “The Contingency”, Person of Interestreddwarf
  • “Trojan”, Red Dwarf
  • “Nobody’s Fault But Mine”, Revolution
  • “DC Comics Special”, Robot Chicken
  • “Bill Plympton Couch Gag”, The Simpsons
  • “Wrath of the Gods”, Spartacus: War of the Damned
  • “Revenge”, Star Wars: The Clone Wars
  • “Citizen Fang”, Supernatural
  • “Fury”, Teen Wolf
  • “Birth of the Blades”, Thundercats
  • “Pilot”, Touch
  • “Darkest Hour”, Transformers Prime
  • “Scars”, Parts 1 and 2, TRON: Uprising
  • “Save Yourself”, True Blood
  • “Freaky”, Ultimate Spider-Man
  • “The Departed”, The Vampire Diaries
  • “A Very Venture Halloween”, The Venture Bros.
  • “Parting Shots”, The Walking DeadPaperman
  • Paperman, Walt Disney Animation Studios
  • “The Ones You Love”, Warehouse 13
  • “Depths”, Young Justice

Hugo Awards 2012: Best Dramatic Presentation (Long Form)

The Best Dramatic Presentation category was added in 1958. It was split into Long Form (over 90 minutes) and Short Form (under 90 minutes) beginning in 2003. Although some traditionalists decry the addition of media-based works (and to be sure, some questionable movies and TV shows have been nominated and even won), this is usually one of the top vote-getting categories, showing it is popular with the Hugo voters.

Best Dramatic Presentation (Long Form) Nominations (603 ballots cast [compared to 510 ballots cast in 2011])
(The titles in bold are the ones I nominated.)

171 Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (28.35%)
148 Hugo, screenplay by John Logan; directed by Martin Scorsese (24.54%)
113 Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (18.74%)
112 Source Code, screenplay by Ben Ripley; directed by Duncan Jones (18.57%)
105 Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (17.41%)
———————————————————-
94 X-Men: First Class (15.59%)
78 Attack the Block (12.94%)
78 Super 8 (12.94%)
78 Thor (12.94%)
78 Misfits Series 1 (12.77%)
77 Kick-Ass (12.10%)
73 Rise of the Planet of the Apes (12.10%)
48 The Adjustment Bureau (7.96%)
36 Contagion (5.97%)
27 Cowboys and Aliens (4.48%)
24 Paul (3.98%)

Best Dramatic Presentation (Long Form) Final Ballot Results (1613 ballots [compared to 1755 ballots cast in 2011])

My Ranking Title Round 1 Round 2 Round 3 Round 4
2 Game of Thrones (Season 1) (WINNER) 710 711 756 808
6 Hugo 293 295 326 392
4 Captain America: The First Avenger 198 199 247 297
1 Source Code 192 192 208
3 Harry Potter and the Deathly Hallows Part 2 175 176
5 No Award 45

No Award Tests:
• 1181 ballots ranked Game of Thrones (Season 1) higher than No Award; 115 ballots ranked No Award higher than Game of Thrones (Season 1) – PASS
• ((1613-45)/1922)*100 = 82% – PASS

The remaining places were then calculated to be:
2nd Place – Hugo
3rd Place – Captain America: The First Avenger
4th Place – Harry Potter and the Deathly Hallows Part 2
5th Place – Source Code

Analysis

Fourteen items passed the 5% cutoff in what I thought was a lackluster year for movies. Unsurprisingly, the juggernaut Game of Thrones completely dominated the voting. I suspect this trend will continue for as long as the series is in production. Attack the Block and Misfits were not widely distributed in the U.S., or else they probably would have done better. My biggest surprise was that Rise of the Planet of the Apes wasn’t higher in the nominations, although I’m not surprised it didn’t make the top five. Contagion should also have ranked higher than it did—did people not think it was science fiction?

Mini-Reviews

Captain America: The First Avenger, screenplay by Christopher Markus and Stephan McFeely, directed by Joe Johnston (Marvel)

In a year loaded with super hero movies, Captain America stood out as one of the best, both in terms of the emotional arc of the title character and in the use of set design and special effects to convey a sense of reality lacking in many super-hero movies. It’s hard to convert the intrinsically unbelievability of comic books into something that looks good on screen. Although I liked X-Men: First Class more, I can’t argue that Captain America didn’t deserve recognition. See my full review here.

Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO)

This faithful and lavish production of George R.R. Martin’s epic fantasy was the clear favorite in a relatively weak field. It’s hard to compete with a 10-hour production that can include character and plot details that 2-hour movies cannot. My only knock against Game of Thrones is the same one I have about the books: it’s an unresolved chapter in a longer narrative. Nevertheless, as long as HBO can keep the quality at this level, Game of Thrones will be a favorite to win for several years to come.

Harry Potter and the Deathly Hallows Part 2, screenplay by Steve Kloves; directed by David Yates (Warner Bros.)

Despite being the second half of the adaptation of the final Harry Potter novel, Harry Potter and the Deathly Hallows Part 2 was pretty well self-contained, and was certainly a monumental conclusion to the film series. Unlike some of the entries that felt more like Cliff’s Notes versions of the books, this installment managed to retain most of the content from the book. The three primary actors, especially Daniel Radcliff, have grown into accomplished thespians who can carry off a story of this magnitude.

Hugo, screenplay by John Logan; directed by Martin Scorsese (Paramount)

Hugo was my favorite film of 2011. Period. But it is neither science fiction nor fantasy, despite having a brief plot point about a mechanical automaton. Hugo also boasted the best use of 3-D since Avatar. Nevertheless, it never should have been on the final ballot. See my full review here.

Source Code, screenplay by Ben Ripley; directed by Duncan Jones (Vendome Pictures)

Although not quite as good as his Hugo-winning film Moon, Jones was able to use his higher budget to craft an entertaining story with big ideas. This tale of time travel and identity manipulation was very much in the tradition of Philip K. Dick. It’s hard to produce a time travel story without paradoxes, and this was no exception. The ending was satisfying on an emotional level, but didn’t hold up to careful scrutiny. Jones has become a top director, and I look forward to whatever he makes next, science fiction or otherwise.

Hugo Awards 2012: Best Dramatic Presentation (Short Form)

The Best Dramatic Presentation (Short Form) category was begun in 2003. Even though many TV shows and other media had been nominated and even won a number of times before the split into long-form and short-form categories, the feeling was that just as novels are different from short stories, movies are different from TV episodes. A Doctor Who episode has won every year since 2006, with the exception of 2009’s Internet sensation, Dr. Horrible’s Sing-Along Blog.

Best Dramatic Presentation (Short Form) Nominations (524 ballots cast [compared to 394 ballots cast in 2011])
(The titles in bold are the ones I nominated.)

162 “The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (30.92%)
76 “The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (14.50%)
73 “Baelor” (Game of Thrones), written by David Benioff and D.B. Weiss; Directed by Alan Taylor (13.93%) [Ineligible – Nominated in Long Form]
60 “The Pointy End” (Game of Thrones), written by George R.R. Martin; Directed by Daniel Minahan (11.45%) [Ineligible – Nominated in Long Form]
53 “Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (10.14%)
49 “Fire and Blood” (Game of Thrones), written by David Benioff and D.B. Weiss; Directed by Alan Taylor (9.35%) [Ineligible – Nominated in Long Form]
38 “The Drink Tank’s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (7.25%)
36 “A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (6.87%)
———————————————————————-
35 The Fantastic Flying Books of Mr. Morris Lessmore (6.68%)
31 “Winter is Coming” (Game of Thrones) (5.92%)
32 “Lysergic Acid Diethylamide” (Fringe) (5.53%)
28 “A Golden Crown” (Game of Thrones) (5.34%)
28 “The Wedding of River Song” (Doctor Who) (5.34%)
20 “The Day We Died” (Fringe) (3.82%)
18 “The Wolf Shaped Bullet” (Being Human – UK) (3.44%)
15 “The French Mistake” (Supernatural)(2.86%)

Best Dramatic Presentation (Short Form) Final Ballot Results (1395 ballots [compared to 1466 ballots cast in 2011])

My Ranking Title Round 1 Round 2 Round 3 Round 4
2 “The Doctor’s Wife” (Doctor Who) (WINNER) 585 586 645 671
1 “Remedial Chaos Theory” (Community) 299 301 314 365
4 “The Girl Who Waited” (Doctor Who) 156 156 201 211
6 “The Drink Tank’s Hugo Acceptance Speech” 142 145 152
3 “A Good Man Goes to War” (Doctor Who) 136 136
5 No Award 77

No Award Tests:
• 1036 ballots ranked “The Doctor’s Wife” (Doctor Who) higher than No Award; 163 ballots ranked No Award higher than “The Doctor’s Wife” (Doctor Who) – PASS
• ((1395-77)/1922 )*100 = 69% – PASS

The remaining places were then calculated to be:
2nd Place – “The Girl Who Waited”
3rd Place – “A Good Man Goes to War”
4th Place – “Remedial Chaos Theory”
5th Place – “The Drink Tank’s Hugo Acceptance Speech”

Analysis

Thirteen short-form dramas made the 5% cutoff. Three episodes of Game of Thrones were ruled ineligible since the series as a whole was nominated in the long-form category. Doctor Who and Game of Thrones will undoubtedly dominate the Hugos for the foreseeable future, because most TV science fiction is fairly mediocre. It was nice to see Fringe getting some recognition—I really must go back and watch it. My biggest disappointment was that the Academy Award winning animated short The Fantastic Flying Books of Mr. Morris Lessmore was not nominated. Told sans dialog with a Chaplinesque character, this thoroughly charming fantasy is a love letter to reading and the value of books.

Mini-Reviews

“The Doctor’s Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales)

With more than twice the number of nominations as any other contender and only taking four rounds to be declared the winner, this episode by fan favorite Neil Gaiman had huge support. It was an exciting and entertaining hour that managed to turn almost fifty years of Doctor Who lore on its head. The episode is notable for contriving to have the consciousness of The Doctor’s TARDIS transferred into a sentient being that can converse with him. In doing so, the audience learns some interesting history of The Doctor’s origin.

“The Drink Tank’s Hugo Acceptance Speech,” Christopher J Garcia and James Bacon (Renovation)

Chris Garcia’s many friends evidently thought it would be funny to nominate his histrionic acceptance speech. The speech was certainly dramatic, and it was a presentation, but this had no place on the final ballot. Thankfully, the voters agreed with this assessment, but its inclusion on so many nominating ballots meant a worthy work such as The Fantastic Flying Books of Mr. Morris Lessmore was left off.

“The Girl Who Waited” (Doctor Who), written by Tom MacRae; directed by Nick Hurran (BBC Wales)

This episode focuses entirely on The Doctor’s companion, Amy Pond, who is inadvertently left behind on an alien planet for 36 years before The Doctor returns to rescue her. Rife with time travel paradoxes, the episode nevertheless delivers an opportunity for actor Karen Gillan to flex her acting muscles as both young and old Amy (with the help of excellent make-up).

“A Good Man Goes to War” (Doctor Who), written by Steven Moffat; directed by Peter Hoar (BBC Wales)

This was really the first part of a two-part episode that concluded with “Let’s Kill Hitler,” so I’m not sure why it was not nominated as such. The Doctor’s pacifist philosophy is severely tested when his companion Amy Pond is captured and held at a secret military base. He builds an alliance of confederates to help break Amy out of prison. This episode is notable for revealing the true identity of The Doctor’s sometimes love interest, River Song. This somber episode revealed a dark side to the usually happy-go-lucky Doctor; a side that had repercussions later in the season.

“Remedial Chaos Theory” (Community), written by Dan Harmon and Chris McKenna; directed by Jeff Melman (NBC)

Community is consistently pushing the envelope for a sitcom, and this episode in particular was a tour de force of humorous science fiction, exploring the many-worlds theory of existence in a clever and delightful way. It’s unfortunate that Community is not more widely seen, and I suspect the Hugo voters who didn’t see it instinctively dismissed it as a triviality compared to their beloved Doctor Who (that is often just as jokey and irreverent).

WonderCon 2012, Part 2

Arno Axolotl gets skewered in support of HBO's Game of Thrones.

TV

There were a number of panels relating to TV programs. Prime-time series Person of Interest, Alcatraz, Once Upon a Time, and Community all had well attended presentations. Since WonderCon came before the Fall schedule was announced, there were few new shows in evidence. I didn’t see it, but I think there were some teasers from the new Arrow program that is replacing Smallville.

There were several panels devoted to TV animation. I was unable to get into the Adventure Time panel, the only presentation I missed due to the room being full. I did see the DC Nation panel that previewed clips from Green Lantern: The Animated Series and the second season of Young Justice, as well as some of the short-shorts that they are playing on Saturday mornings. Unfortunately, there was no real mention of the new Batman series or any other possible offerings that may be in development.

Alcatraz panel with stars Jorge Garcia, Sarah Jones, Parminder Nagra, Jonny Coyne, and Robert Forster, plus some of the writers and producers.

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Movies

One of the more fun panels during the convention was a retrospective of the movies from 1982. With such science fiction and fantasy classics as Star Trek II, Blade Runner, E.T., Tron, Poltergeist, Conan, and The Thing, not to mention cult classics like Megaforce, the panelists had a good time reminiscing and joking about their favorites.

Damon Lindelof and Ridley Scott discuss Prometheus

There were a number of previews for this summer’s blockbusters. Ridley Scott and Damon Lindelof were there in person to introduce the latest trailer for Prometheus. I still don’t really know what the movie will be like, but I expect an intelligent, thrilling adventure.

One of the highlights was the trailer for Abraham Lincoln: Vampire Hunter. Produced by Tim Burton and directed by Timur Bekmambetov, this looks to be a wild and exciting movie. Who knew Lincoln was such a bad-ass vampire killer!

Other previews included Battleship, which doesn’t look quite as lame as the first trailer made it look, but think it’s basically Transformers in sheep’s clothing—lots of explosions, but nonsensical. The preview for Snow White and the Huntsman looked interesting—certainly Snow White herself should be a strong female lead.

The weirdest preview was for a film called Sound of My Voice. They showed the first ten minutes of the film that introduced us to a cult based on a charismatic female time traveler (or perhaps a charismatic con artist). After the clip, two supposed members of the cult came on stage in a piece of performance art that I don’t think was well received. Finally, writer/director Zal Batmanglij and writer/lead actor Brit Marling came out to expound on the film a little. It is an ultra low-budget independent film that has been shown on the festival circuit to reasonable success. The film will be widely released in late April. I’m not sure I was wholly convinced to seek it out.

Rounding out the movie previews was a screening of the next DC animated film, Superman vs. The Elite, which comes out in June. I will have a full review later; the snapshot is that this is quite good. DC Animation consistently comes up with good to excellent features, something their live-action counterparts do not. They also teased Batman: The Dark Knight Returns with some short clips. It looked awesome. (Rumors are that the story will be split into two parts, which if true is a good sign that it will not be compromised from the graphic novel by Frank Miller.)

2011 Nebula Awards Nominees Announced

The Science Fiction and Fantasy Writers of America (SFWA) announced the nominees for the 2011 Nebula Awards, the nominees for the Ray Bradbury Award for Outstanding Dramatic Presentation, and the nominees for the Andre Norton Award for Young Adult Science Fiction and Fantasy Book.

Novel

Novella

Novelette

Short Story

Ray Bradbury Award for Outstanding Dramatic Presentation

  • Attack the Block, Joe Cornish (writer/director) (Optimum Releasing; Screen Gems)
  • Captain America: The First Avenger, Christopher Markus, Stephen McFeely (writers), Joe Johnston (director) (Paramount)
  • Doctor Who: “The Doctor’s Wife,” Neil Gaiman (writer), Richard Clark (director) (BBC Wales)
  • Hugo, John Logan (writer), Martin Scorsese (director) (Paramount)
  • Midnight in Paris, Woody Allen (writer/director) (Sony)
  • Source Code, Ben Ripley (writer), Duncan Jones (director) (Summit)
  • The Adjustment Bureau, George Nolfi (writer/director) (Universal)

Andre Norton Award for Young Adult Science Fiction and Fantasy Book

The winners will be announced at SFWA’s 47th Annual Nebula Awards Weekend, to be held Thursday through Sunday, May 17 to May 20, 2012 at the Hyatt Regency Crystal City in Arlington, Virginia. Connie Willis will be the recipient of the 2011 Damon Knight Grand Master Award for her lifetime contributions and achievements in the field. Walter Jon Williams will preside as toastmaster, with Astronaut Michael Fincke as keynote speaker.

The Nebula Awards are voted on, and presented by, active members of  SFWA. Voting will open to SFWA Active members on March 1 and close on March 30.

For Your Consideration: Hugo Award Dramatic Presentation, Short Form

The deadline for nominating works for the Hugo Awards is March 11, 2012. Members (as of January 31, 2012) of Renovation, Chicon 7, or LoneStarCon 3 are eligible to nominate. For the Dramatic Presentation, Short Form category, I have compiled a list of productions that are eligible to be nominated this year. It is a long list, and undoubtedly not comprehensive. My purpose is to remind nominators that there are worthy productions that do not have Doctor Who or Game of Thrones in their names.

I’ve listed the titles of individual episodes because the Hugo rules require individual episodes to be nominated. A multi-part production such as Game of Thrones or Torchwood: Miracle Day can be nominated in the Long Form category if nominators feel that the mini-series should be taken as a whole, rather than as individual episodes. The dividing line between Short Form and Long Form is 90 minutes running time, but may be adjusted slightly one way or another if a majority of nominators place a borderline work in the other category.

I haven’t made up my mind what I’m going to nominate, other than I will definitely be nominating The Fantastic Flying Books of Mr. Morris Lessmore, a terrific short film (available as a free download from iTunes). My expectation is that one or more episodes of Doctor Who and Game of Thrones will be nominated no matter what, so I will use my nominations for more obscure works that can fill in the remaining slots.

For your consideration:

Adam And Dog (Short Film) [winner of the Annie Award for Best Animated Short]

Adventure Time (TV Series) [nominated for an Emmy Award]
Episode: Mystery Trainx

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Alphas (TV Series)
Episode: Original Sin

American Horror Story (TV Series)
Episode: Smoldering Children

The Ballad Of Nessie (Short Film)

Batman: The Brave and the Bold (TV Series)
Episode: Mitefall!

Batman: Year One (Direct-to-Video) [nominated for an Annie Award]

Being Human (TV Series)
Episode: Though the Heavens Fall

Ben 10: Ultimate Alien (TV Series)
Episode: Prisoner #775 Is Missing

The Big Bang Theory (TV Series) [nominated for an Emmy Award]
Episode: The Good Guy Fluctuation

Camelot (TV Series)
Episode: Reckoning

Community (TV Series)
Episode: Remedial Chaos Theory [a humorous take on parallel dimensions]

Doctor Who (TV Series)
Episode: The Doctor’s Wife

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Eureka (TV Series)
Episode: One Giant Leap…

The Event (TV Series)
Episode: Arrival

The Fades (TV Series)
Episode: Episode #1.4

Falling Skies (TV Series)
Episode: What Hides Beneath

The Fantastic Flying Books of Mr. Morris Lessmore(Short Film) [nominated for an Academy Award]

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Fringe (TV Series)
Episode: The Day We Died

Futurama (TV Series)
Episode: All The President’s Heads

Game of Thrones (TV Series) [nominated for an Emmy Award]
Episode: Baelor

Generator Rex (TV Series)
Episode: Ben 10/Generator Rex Heroes United

Green Lantern: The Animated Series (TV Series) [nominated for an Annie Award]
Episode: Beware My Power, Parts 1 and 2

Grimm (TV Series)
Episode: Danse Macabre

Haven (TV Series)
Episode: Sins of the Fathers

Hoops & Yoyo Ruin Christmas (TV Special) [nominated for an Annie Award]

I Tawt I Taw A Puddy Tat (Short Film) [nominated for an Annie Award]

La Luna (Short Film) [nominated for an Academy Award and an Annie Award]

Lost Girl (TV Series)
Episode: Barometz. Trick. Pressure

The Mercury Men (Web Series)
Episode: The Battery

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Merlin (TV Series)
Episode: The Darkest Hour, Parts 1 and 2

A Morning Stroll (Short Film) [nominated for an Academy Award]

No Ordinary Family (TV Series)
Episode: No Ordinary Powell

Once Upon a Time (TV Series)
Episode: The Heart is a Lonely Hunter

Outcasts (TV Series)
Episode: Episode #1.4

Prep & Landing: Naughty vs. Nice (TV Special) [nominated for an Annie Award]

Primeval (TV Series)
Episode: Episode #4.1

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Robot Chicken (TV Series) [nominated for an Emmy Award]
Episode: Robot Chicken’s DP Christmas Special

Sanctuary (TV Series)
Episode: Into the Black

The Simpsons (TV Series) [nominated for an Emmy Award]
Episode: Treehouse of Horror XXII

Smallville (TV Series)
Episode: Finale

Star Trek New Voyages: Phase II (Web Series)
Episode: Enemy: Starfleet!

Star Wars: The Clone Wars (TV Series)
Episode: Carnage of Krell

Stargate Universe (TV Series)
Episode: Gauntlet

Steins;Gate (TV Series)
Episode: Prologue to the Beginning and End

South Park (TV Series) [nominated for an Emmy Award]
Episode: Crack Baby Athletic Association

Sunday (Dimanche) (Short Film) [nominated for an Academy Award]

Supernatural (TV Series)
Episode: The French Mistake

Teen Wolf (TV Series)
Episode: Code Breaker

Terra Nova (TV Series)
Episode: Resistance

Thundercats (TV Series)
Episode: New Alliances

Torchwood (TV Series)
Episode: Miracle Day: The New World

Transformers Prime (TV Series)
Episode: One Shall Rise, Parts 1, 2, and 3

True Blood (TV Series)
Episode: You Smell Like Dinner

Ugly Americans (TV Series)
Episode: Callie and Her Sister

V (TV Series)
Episode: Mother’s Day

The Vampire Diaries (TV Series)
Episode: The Reckoning

The Venture Bros. (TV Series)
Episode: From the Ladle to the Grave: The Shallow Gravy Story

The Walking Dead (TV Series)
Episode: Pretty Much Dead Already

Warehouse 13(TV Series)
Episode: Emily Lake

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Wolverine (TV Series)
Episode: Kikyo

The Legend of Korra Trailer

The Legend of Korra, the much-anticipated sequel to Avatar: The Last Airbender, is coming this spring to Nickelodeon. A new trailer has just been released, and it looks awesome!

Nickelodeon Publicity describes the series:
Taking place 70 years after the events of Avatar: The Last Airbender, this story follows the adventures of the Avatar after Aang – a passionate, rebellious, and fearless teenage girl from the Southern Water Tribe named Korra. With three of the four elements under her belt (Earth, Water, and Fire), Korra seeks to master the final element, Air. Her quest leads her to the epicenter of the modern “Avatar” world, Republic City – a metropolis that is fueled by steampunk technology. It is a virtual melting pot where benders and non-benders from all nations live and thrive. However, Korra discovers that Republic City is plagued by crime as well as a growing anti-bending revolution that threatens to rip it apart. Under the tutelage of Aang’s son, Tenzin, Korra begins her airbending training while dealing with the dangers at large.