My rating: 2 of 5 stars
Thor & Loki: Blood Brothers is a four episode motion comic from Marvel Knights Animation that is based on the 2004 miniseries Loki. It is essentially a character study of Loki (David Blair); Thor (Daniel Thorn) spends the vast majority of the running time as a mute prisoner, with only a few brief flashbacks.
The story opens as Loki is celebrating his takeover of Asgard, with Thor, Odin (Joe Teiger), Sif (Elizabeth Diennet), and Baldar (James Hampshire) in chains. Loki soon learns that ruling an empire is not all it’s cracked up to be. He must mediate in what seems like every petty squabble in the land, and his allies in the rebellion begin to demand payment on his promises used to secure their cooperation.
All of this comes off as a cheap Shakespearian tragedy, with Loki brooding and plotting but not really doing anything. As such, it is aimed at adults more interested in political machinations than teenagers more interested in action.
The artwork is the best part of the production. There is a real sense of dimensionality, and the character designs are quite detailed. Loki is portrayed as an old man with missing teeth and lined face. The Asgard warriors are musclebound and the females are full-figured, to say the least. The superb backgrounds fill the screen with beauty. However, the limited animation detracts from the overall effect with its jerky movements and static compositions.
Each episode is about 20 minutes of story, so I’m not sure why the producers opted to break it into four parts. It would flow better as an uninterrupted movie.
The ending is unsatisfactory. Completely unsurprising spoiler–Thor escapes and wreaks retribution on Loki. We don’t see what happens to several principal characters or the fallout of Loki’s villainy.
Thor fans will undoubtedly want to see this production because it adds some interesting layers to Loki’s personality and his relationship with Thor, but I can’t recommend it for anyone else. The limited animation, lack of action, and lack of a satisfactory payoff makes this a dull morality play.