Tag Archives: Blackhawks

The New 52: First Casualties

DC announced today that they are canceling six titles of their New 52 launched last September. Gone are Blackhawks, Hawk and Dove, Men of War, Mister Terrific, O.M.A.C. and Static Shock. All will end with Issue #8. I don’t think any of these are a surprise, based on sales figures, but it’s still disappointing that DC didn’t give them a bit more time to develop followings. In my case, I don’t read monthly comics and was waiting for the collected trade editions. I enjoyed the first issues of Mister Terrific and Men of War and was looking forward to reading more of Mister Terrific. Men of War was a quality book, but just not my cup of tea. O.M.A.C. had gotten a fair bit of critical acclaim, but I found it too cartoony and too much like the Hulk for my tastes.

The six books will be replaced by six new titles beginning in May, including World’s Finest by Paul Levitz and George Perez and Kevin Maguire; Dial H by China Miéville and Mateus Santoluoco; G.I. Combat, an anthology title; The Ravagers by Howard Mackie and Ian Churchill; Earth 2 by James Robinson and Nicola Scott; and the return of Batman Incorporated by Grant Morrison and Chris Burnham.

World’s Finest will star Earth-2’s Power Girl and The Huntress, and Earth 2 will feature the Justice Society as they collide “with other worlds.” It sounds like DC is opening the door to recreating the multiverse that existed before Crisis on Infinite Earths.

The Ravagers is a Superboy and Teen Titans spinoff which will also incorporate elements from Legion Lost.

G.I. Combat will feature “The War that Time Forgot” by writer J.T. Krul and artist Ariel Olivetti, “The Unknown Soldier” by Jimmy Palmiotti and Justin Gray with artist Dan Panosian, and “The Haunted Tank” by writer John Arcudi and artist Scott Kolins. No mention if Sgt. Rock from Men of War will have a place in the new book, but it sounds like they are going to emphasize more fantastic war stories than the straight-up stories in Men of War.

The title I’m most excited about is Dial H. China Miéville is one of my favorite science fiction writers, with an amazing imagination and literate sensibility. He is a huge DC fan, and I can imagine that he will be able to produce something very special. Another positive note is that the editor on this book will be Karen Berger, Vertigo’s senior vice president and executive editor. This book should nicely complement Animal Man and Swamp Thing. If anything can get me to buy monthly comics again, this will be it.

DC did not announce the page count or pricing on the new books, although it’s certain that G.I. Combat will be an oversized, $3.99 title.

The New 52: Blackhawks and Voodoo

Finishing up “The Edge” group of DC’s New 52:


Here’s another high-tech super-secret paramilitary mercenary group, where every member has a cute nickname like “Canada” or “Irish” just so we can tell them apart, I suppose. Whether writer Mike Costa can differentiate Blackhawks from S.H.I.E.L.D. or G.I. Joe (for which he has previously written at IDW) remains to be seen. The first issue establishes Blackhawks as the custodians of every weapon known to mankind, and then some. The story arc looks like it will involve them fighting enemies who use nano-biotechnology to infiltrate their ranks. Artists Graham Nolan and Ken Lashley present a style well suited to this type of story—clean, modern, and dynamic. There is nothing that demands the reader’s continued attention, but they drop some intriguing hints that may pay off in the long run.


Voodoo was created by Jim Lee and is part of the Wildstorm imprint that DC is trying to integrate into its mainstream line. With a title like Voodoo, you would expect something supernatural, but it looks like it will be more science fictiony, which could cause marketing problems. Voodoo is a shape-shifting alien who takes the form of a stripper to “…learn about people. Men, especially. They have their defenses down [at a strip club].” A quick look at the first issue might give the sense that this is an unnecessarily sexist story, but writer Ron Marz gives us a shocking ending that, at least temporarily, assuages that kind of assumption. Nevertheless, there’s not much else to the first issue, other than a brief scene of a badass woman detective or federal agent named Fallon who is tailing Voodoo. The art by Sami Basri is very good—though tending towards the cartoonish. If Voodoo stays away from the cheesecake and delivers a compelling story, it could have potential and be worth revisiting when the trade edition comes out.